Mid-winter morning and two types of lacework

Yesterday brought our 3rd winter storm in as many weeks.  It’s been a mess of snow days in already shorter school weeks that has knocked my craft life for six.

For several reasons Ty & I have needed time-off for more unstructured time together, however.  This boon has kept the cabin fever feeling from setting-in but I hope there are no other Colorado lows on the way!

Prettier than the car

The impact of 24-hour long winter storms hitting mid-week each week aside we are safe & warm through it all, so far.

Ice upon ice this morning

All-over lace shawl update

The Lacymmetry shawl only saw the inside of a project bag between early November and 3 Saturdays ago.

A growing Lacymmetry handspun shawl

The shawl transitions once 2/3 knitted to a ‘diamond’ lace motif that shows strongly with its double yarn-overs.  I paused at the transition point, and am now 7 repeats into this second, final section.

Starting at the 2nd of these repeats, I decided to add gold duracoated 8/2 Miyuki beads on a single return row in the ‘diamond’ lace motifs.

Forming diamond lace with beads hidden

The designer is Naomi Parkhurst of String Geekery, and I love how she advances the diamond lace 3 times evenly in each ‘diamond’ lace repeat.  The beads are highlighting this diagonal advance sequence.  It’s fun to knit!

How I place these beads is with a 0.6 mm metal crochet hook.  My handspun BFL/silk yarn is gently thin to thick, and it can be slower to fit the beads.  They are getting on there with persistence so far… fingers crossed?

Working with this madder orange dyed yarn is also a push back to the dyepots… hopefully soon!

Another kind of lace update – weaving Swedish Lace sampler

Shortly after my last TKK post, I did wet finish the table loom Swedish lace sampler.  I am not quite done gasping but can share the results.

Test of contrast weft in Swedish lace (weft floats)

This 1st section of the sampler is better than I expected while weaving.  That said, it is really much more appealing with white on the white warp.  They (every book & my workshop teacher) told me so!

Okay, traditional, I see why now

The sampler was not finished schooling my(over-excited)self.  Oh no, it was not.

Woah Swedish lace windows, and maybe never with contrast weft then.

Not for napkins was coming through very clearly by this time.  This is the section where I wove turning the weft and warp floats regularly in their A-B blocks as writ.

You may notice that I had a warp-wise (threading) mistake.  The napkins were to be in finer unmercerized cotton (16/2).  I am considering keeping blue weft on white warp but changing to an 8-shaft crackle structure.  Exploring crackle is a definite interest.

For now the loom is closed as I dig-out from storms and continue the Jane Stafford on-line lessons when possible.

Four ounces of Norwegian wool top in singles form!

These lessons & outings around town allowed me to finish spinning this other 4 oz of Norwegian top dyed by Mandie of Sheepy Time Knits.  The 5 singles balls will probably be chain-plied like the 1st set was.

We are also up a kid-sized Honey Cowl/ down a braid of Rambouillet wool from the 2018 Woodstock Fibre Festival.  Ty announced that it would go with him to school this morning, “… Because you worked so long on it!”

 

 

Weaving Wednesday and regrowth is important

Happy new year!  We rang ours in with my Mom on a working visit with us, and hit a snare of challenges in the good thereafter.  Having time + head-space to post is a sweet spot in the month.

January in Ontario often feels like this croton coming back from 100% leaf drop.  Let’s not put too fine a point on how I managed to capture beautiful croton regrowth, it’s a metaphor.  She has my apologies.

Croton perseveres

The turn came after I got postponed chores sorted, and declared a Family Day last Friday.  We had a spaghetti & meatballs dinner to cap that suspension of expectations off, and each day has built on that so well.

Walk before the storm

We all got out in blowing snow the next morning.  Racing with Ty a creek-side trail was still safe fun before the storm really came in.  Later, while N & Ty shoveled snow, I sat with a small sample that I had started weaving.  More about that idea is to come here & now.

Special thanks to those who showed appreciation for my last post.  Hands have reached out, and I am glad that the idea of connecting resonated for you too.  As things straighten again, I will reply to you properly.

Ducks in a row

That which was 34.5″ in the reed is now a finished 30″ x 38.75″ baby blanket on its way to my friends in Jamaica.

Softness – cotton baby blanket

The draw-in + shrinkage (widthwise) in wet finishing was around 13%.  If you didn’t follow the weaving posts, I used a Glimakra temple for that on-loom reed width of 34.5″.

The slub cotton (Monte Cristo, 1,150 YPP) carries up the right side were an issue visually & with wear in mind.  I rolled the 4-end plain weave edges, and all hemming was by hand.

Roomy hem came in handy!

The hems are sewn with 100% mercerized cotton quilting thread (Mettler) doubled.  Gail is excited, and I loved weaving for her 3rd daughter due very soon!

Daytime at the loom on this project was such a joy that continuing to sit at my looms & learn is my main 2019 craft intention.

Laura Fry is helping with this intention

Laura Fry’s work in encouraging all weavers made it easy for me to ask N very seriously for her book as a Christmas present.  Her Preface ends with the same encouragement I knew to expect, and it is to:

… learn as much as possible about all the variables involved in weaving, determine how those variables affect their cloth and choose strategies that will enhance their experience.

“The Intentional Weaver:  how to Weave Better” Laura Fry, 2018, p. vii

She didn’t tell me to buy yarn in the year-end sales but I did!  Ty found this book joy a little confusing.  He’s right, I do have other weaving books but understood when I pointed to Laura’s Efficient Weaver video that he watched with me one day, and that she is a Canadian professional weaver.

“Okay, Mom,” may also serve to end the soliloquy but I think he got the drift.

Another astute weaving move is also paying dividends – I registered for Jane Stafford’s online ‘guild.’

Two shafts become four! Louet Erica 30 cm table loom

The videos demo Louet looms, and I quickly wanted to finish & install my Erica loom shaft extensions.  Two became four!  The aim was to use this 30 cm loom to sample Swedish lace for a small set of napkins.

Swedish lace in 2/8 cotton on Louet Erica loom

Several boring mistakes later, I was putting Jane Stafford’s advice into practice with this 2/8 white cotton warp.  It is a traditional 17-end per A, B blocks repeated across 4 times.

Turning the lace skips by blocks of Swedish lace

From the blue colour as weft perspective, I much preferred alternating blocks of weft & warp lace skips.  After all the blue is Ty’s special request, and his buy-in is key.  The project threads will be in 16/2 cotton.

Now that I cut the cloth & took all tension off, I saw just how open the full-on lace blocks will be.  Washing is to come but it’s so very obviously in need of more plain weave sections for napkins.

Growth in another also serious sense

The past couple of weeks have been difficult in yarn communities on the internet.  By accident of opting out of a large platform, Instagram, I missed developing stories.  It was this thread retweeted by @DahlingDaughter, Jasmin Knitmore, that both raised my awareness and gave hope.  Much more reading followed but I am not caught-up.

There are relevant stories that I choose not to share publicly some brought to my ears by raw visible privilege.  Others are inherent to my family background in North America & the Caribbean.  None is taken lightly, and I work to grow by not just listening, research but also by stepping all the way back into my feelings.

We can treat the growth factor as having a table loom & letting my son throw the shuttle with me this past Saturday.  However, in this moment it would not feel right.  The impact of racism, colonialism, exclusion in the craft industries is real.  These are serious forces for creators, consumers, business people already operating in niches that are under economic, social pressures.

I do not expect the spaces that I have exited to change on a dime when I am clear about why I am leaving.  They on the other hand cannot expect things of me such as lending support to values of “non-political discourse” that are anything but non-political in the aggregate for example.

Burnout risk in community is also very real.  For the voices that I admire and hear, I hope the joy outweighs cost however you are able to share openly.

 

Pulling-up Socks and Closing the Fell

To The Knit Knack Blog’s readers and friends:

You too may be feeling a dash of strain sprinkled with sleep deprivation, and sometime fist-shaking.  On a surprisingly mild December day that is also quiet enough for thinking, I have some admin good news & project successes to share.  First the…

Good admin news

In a series of steps this year we have moved more surely towards continuing to create the blog in 2019.  The latest step is to keep working with the photography mostly in Flickr for now.  We were a free member with over 1,000 photos.  Imagine the chill on reading:

Free members with more than 1,000 photos or videos uploaded to Flickr will no longer be able to upload new content after Tuesday, January 8, 2019 unless they upgrade to Pro. After February 5, 2019, free accounts that contain over 1,000 photos or videos will have content deleted — starting from oldest to newest date uploaded — to meet the new limit.

Did I want the grief of meeting the new limit?  Dear readers, I did not.  We upgraded and I am calling it a Christmas present to myself & my 1,422 all rights reserved photos.  Not a final decision by any means but rather a step into the new year.

We have a big anniversary coming… this next March, TKK turns 10 years old!  Possibly the only thing that has not changed about TKK since 2009 is the intention.  It’s simple really, I build posts on work done.  A tidy idea with no room for affiliates, sponsors or senders of swag.  Just right here in the scary & unpaid open, I put out what’s the most compelling.

TKK is a blog about adult learning that I started as a very unlikely, very new knitter.  In some ways it has come full circle – I do know my way around & am less of a novice even with weaving but find myself at home in the same way that I used to be at paid employment… with less community than I would like, and frankly, stressed.

This morning, I started listening to the latest “On Being” Podcast show.  Krista Tippett interviews her friend, Dr. Pauline Boss who floored me when she said:

The treatment of sadness is connection.

Dr. Boss’ area of work is ambiguous loss, and I will be going back eagerly to hear the rest of the uncut interview.  The admin news does allow TKK to go forward with the idea of connecting outside the walled craft gardens.  Let’s see where it takes us.

Pulling-up my handspun socks!

What a good feeling to have finished the Strie Cheviot wool socks this Sunday!  The designer is Lara Neel.

Ever so snug!

These socks were knit pretty evenly split between 2 months this fall.  The foot soles are knit through the back loop (i.e. crossing the knit stitches).  The 2-ply Cheviot yarn is Z-twist direction, and was slightly loose knit through the front loop.

Points out where I briefly knit as usual in the first sock

For a few rounds on the first sock, I forgot the ktbl plan.  That band shows clearly in the sock – do you see the slight pucker?

So, so good! That new sock feeling

The gentle flashing in the handspun was fun to watch unfold on the needles, and I am in love with the finished socks.  Wearing them has put a spring in my step!

Closing the Fell

Nothing is uncomplicated about weaving a week before family visits for Christmas.  If you are going to do that in the guest room then this a good kind of project to choose.

Ever so sweet baby blanket

The sage 8/4 cotton is 2 ends x 2 picks plain weave, and the Monte Cristo cotton bouclé is 2 x 2 common basket weave.

After pausing to water the orchids, yesterday morning, I sat at the loom bench as much as possible.  The short warp is finished!

Wow that was quick – hemmed-stitching!

The basket weave took-up more than I expected over the 2.5 yard warp, and it will be a smaller size baby blanket.  Good thing I am sending it home for the newborn phase!

As I threw the shuttles, I had time to think both about weaving & a knitted olive branch that I mailed mid-week.

Happy birthday

This is a 20″ circumference (small) Téamh hat designed by Jennifer Tepper Heverly for a turning-six-this-week girl.  As Jennifer explains in her pattern, “téamh” is Irish Gaelic for “warming.”  It’s been sent in an icing of relations, and is not her first FO off my needles.  The yarn here is Cascade 220 Heathers, knit on 3.5 mm needles.

One hat led to another!

For a very happy kiddo

Both versions modified the pattern from a garter texture to the traditional reverse stockinette.  I also kept the same needle-size for a snug fit.

Ears are covered!

The yarn is “Glittering Caves” MCN worsted by Sheepy Time Knits.  Now that this hat has T’s enthusiastic up-take, I have learned more about what’s important in a hat for him:

• Covers the ears;
• Warm but not with a folded brim because those are weird;
• Dyed-in-the-wool colour; and super-importantly
• Pom-pom is awesome.

Who knew?!?

Also meets with T’s approval – handspun Monster

This mid-September start on a Lloyd the Tall Monster by Rebecca Danger (“Knit a Monster Nursery”, p. 57) sat in pieces for oh, a month.  The yarn is my handspun BFLxShetland 3-ply knit on 3.25 mm double point needles.

With craft gifts almost all given, I am hoping to work up a garment for me soon.  As I sat at my loom this week, I weighed a thought.  Be it resolved to weave more in 2019?  That is the question.  Carving time for weaving = sacrificing other more established patterns.  It may well be time to do that because weaving feels like a barrel of potential.

Weaving smaller

As the pile of small knits grew & yarn production slowed, I have gathered weaving thoughts.  The last month threw-up one challenge after another.  In my role as Head Cook & Bottle Washer, I have been taken-up with navigating us through it all safely towards the holidays.

Since these challenges are of the I Specifically Told You Not to Upset my Apple Cart variety (powers that be are so awesome), I have frayed nerves that needed some attention too.  Pushed back are the spicy projects, and brought forward are some that have the right mix of inspiration + do-ability.

Side Note:  volunteer spinning hat has also been side-lined, temporarily.  I miss Spindlers and other spaces but am trying to herd adult cats as it were, and know that the team is very capable in my hopefully short absence.

At some point as I scratched an apparently strong itch to knit hats, it dawned that a single cotton blanket to welcome my good friend’s baby was the thing that I could make.  The Monte Cristo cone of cotton bouclé had come home with more adventurous napkin-intended 16/2 tubes.  Now that I see the purchase order it was the week before things went sideways!  Good timing that.

For Gail

This 2.5 yard warp uses the white bouclé yarn as 2/2 basket weave, and the sage 8/4 cotton will be plain weave if all goes according to plan.  The sett that I chose is 15 epi, and it will fill most of my Mighty Wolf loom’s weaving width.

Super calming to thread

This is a modification of “Tutti Frutti” by Tom Knisely in Handwoven Baby Blankets, p. 24, and I am threading 4 of my shafts.  In planning, I found good advice on setting-up basket weave in Mary Elizabeth Laughlin’s More Than Four, p. 13.  With my sett and 12-dent reed, I will be able to separate the bouclé basket threads at both heddles (shown here) & reed dents.  There is a special place in heaven for weavers who share tricks & tips in their books.

Our friends are already very busy parents of 2 girls, and this has special thoughts going into the weave.  It was a joy to notice the pregnancy on my trip home this summer, and Gail is not only a great friend but her support for all stages of my textiles journey has meant the world to me.  She truly is a rare pleasure to weave for, and I am sharing the project as I go with her.

Even smaller but in its own way BIG

Such a good step forward

This has been so exciting that I have pretty much live-tweeted the entire band!  This one will have images to spare.  It started this September, and has been good to finally sit with the Lithuanian pick-up traditions that I have read about and so admired.

The pattern that I am building up to here is named as ‘postscripts’ (prierašciai) in Lithuanian Sashes by Anastazija Tamošaitiené & Antanas Tamošaitis, p. 250.  It is for the last section of the band.

At my loom, and very intent on learning!

It was another book before me that started with a diamond over 7 blue pattern threads.  The technique is given as Rinktiné juosta, pick-up patterned sash in the very well explained Reflections from a Flaxen Past:  For Love of Lithuanian Weaving by Kati Reeder Meek, p. 136.

There I was in the next stage of weaving the design given by weaver, Elena Matulioniene in the ‘hundred-pattern’ type, candle burning and all.  The busy area rug was annoying me all the way, and to protests of both N & T it has gone down to the basement where it can’t bother my eyes.

Without me, the loom

The tools are resting on my straw braided backstrap from Indonesia and all work together to make this possible.  The shuttle with yellow weft yarn was made by Alvin Ramer.  Next down is my Andean llama bone beater (ruki) that made it all possible as the blue pattern threads (Cascade 220) pilled & fuzzed like crazy on each successive pick!  Lastly is a mahogany sword that came with Abby Franquemont’s class kit.

Please remind me that the room barely holds me + a 3-yard backstrap warp?  I clamped to the top of the mantle until a lot of the band was woven and on the cloth beam.  Getting back to finish the last of this warp will be a pleasure not a chore.

As soon as Gail’s blanket is cut-off, the loom will be closed.  We have family visiting from Jamaica, a very welcome change!

Spins into November – a tale of 2 wheelspun Shetland yarns

In my last post I wrote about spinning a 2nd Shetland wool top from another dyer.  The spinning tools were the same & the process varied only very little.  As I saw during spinning, yes, the yarns proved to be so, so different.

Now that they are finished, I wanted to come back & compare them.

Tale of 2 Shetland wool spins

Furiosa from Sheepy Time Knits’ Female Heroes Club is on the left.  Its 2 skeins weigh 115 g, and are around 187 yards (748 yards per pound).  The colourway shifted gently, and as a conventional 3-ply lilacs and reds shoot through the darker tones.  There is depth to the 3-ply and the colours never muddied.  I suspect that Mandie kept her painting to the length of the Shetland staples but won’t be asking her to spill her trade secrets!

There was some but not very much kemp in this braid.  How long to wind-off the wheel? 8 days.

Autumn Wedding colourway (Sheepspot), foreground

The Autumn Wedding from Sheepspot at Woodstock was lighter at 104 g.  The handspun yarn measures around 179 yards (1,925 yards per pound).

These were both quick spins, and again I didn’t analyse this fibre’s painting sequence.  This braid had 4 colours in a non-repeating pattern with different lengths between the 4 colours.  In other words, purple was shorter than pink, and there were strong ochre & orange runs as well.  The 3-ply from this braid is also complex but with strong, warm colours.  I will use this handspun in a separate project and not paired with Furiosa.

There was a fair bit of kemp, and the yarn is 5 g lighter than the braid was after the picking out.  How long to wind-off the wheel?  4 days.

The minor difference

To recap the method, both braids were spun on Wee Peggy, plied on Martha (Watson) spinning wheels with the same set-ups.  I divided each in thirds by measuring length, and fished out kemp before spinning.  It was a worsted-style spin across the full width of top in the same order of thirds, 1-2-3 order.

It diverged only in Autumn Wedding when the last ¹⁄3 proved heavier by approx. 11 g.  How I handled that was to stop, weigh, and add the last 5 g of hot pink to the 1st bobbin.  The up-shot is that last-dyed from section no. 3 walked up to section no. 1.  It’s a subtle shift but gets noted as enhancing what we spinners call a barber-pole effect.  It was still uneven but that’s the 2nd skein, 30 yards.

This is just one approach for colour in spinning:  keeping an open mind for what the dyer has created.  Next to each other but not a pair, the new handspun Shetland yarns are:

1. a subtle, cool, heathery  version with a heavy worsted-weight grist; and
2.  a bold, warm, multicoloured version with a light sport-weight grist.

A side-note – do not pass over a mill-prepped dyed Shetland if there’s some kemp.  You can easily pick it out, still have a quick spin, and avoid (gah) scratchy (sometimes called rustic) handspun skeins… just ditch that kemp!

Testing handspun yarn choices, Drachenfels Shawl

There are times when combining handspun yarns can seem like a good idea only for it to be you know, not.  My winter 2017 Drachenfels shawl has the (front-to-back) Targhee, Blue Faced Leicester & I substituted a Columbia for that beaded mohair/wool skein.  By fall 2017 it worked so well with Romney for my Starry Stripes Handspun Vest.

Made a great handspun vest

The details are not important.  This time, I already know that these Shetland yarns may never pair well for me.  That’s okay!  I am already scheming for the new skeins to be Pierogi Slipper Socks by Sarah Jordan and/or a tea cosy.  Both feet & steeped tea cry out for these warm, cheerful colours!

For now the 2 wheels are staying empty for a bit.  Not only am I still knitting the 2 handspun projects but there’s a nicely developed warp plan for Swedish lace 2-tone napkins to grace our home.

 

 

Woodstock Fleece Festival – silver anniversary

We joined hands and spent a mid-October Saturday together at the 10th annual Woodstock Fleece Festival.  These right steps answered T’s big question:

Why do you go to a spinning festival anyway?

Reason Number 1, there are fibre animals, dear

Llama love – that’s T’s hand!

The 4-H Llama Club brought super tolerant llamas.  This sweetheart was almost eye-level with 6 year-old T!

Another llama friend for T (while I shopped!)

There was enough time & space in this Festival Barn space in particular for the little ones to enjoy their experience.  The volunteers did a fabulous job!

Angora rabbit care & plucking

After a bite to eat we found the angora rabbit demonstration starting next door in the Marketplace Barn.  I was happy to point out kids in handknit (are they handspun too, I don’t know!) hats, rush a goodbye and head for the vendors’ stalls.

T learned a lot, snuck a pet mid-demonstration (you did?!? yes), and is not very sure about plucking fur from angora rabbits being exactly kind to them.  I demurred not being an expert.

Reason Number 2, buy all the things!

This reason covered seeing friends – vendors & attendees alike.  My purchases year-over-year are down but still not what you would call paltry.

L-R: T’s pick; and my pick

While I was in the Gemini Fibres line with a copy of Marianne Kinzel’s First Book of Modern Lace Knitting, T ran up beaming with his find & pleases.  To go with a WIP handspun monster he asks for the Michele Wilcox owl & chicken first from her Amigurumi Animal Friends.  Alrighty!

Spinning festival fibre with Wee Peggy

Visiting Sasha’s booth for Sheepspot was a special treat.  So impressive was it all that T asked if she owned & operated the Auditorium!  We had nice chats through the day, and I brought home this Shetland top (104 g, ‘Autumn Wedding’ colourway) with other fibre & yarn.  They are the only local sellers of Greensleeves spindles if you are looking for good ones.

This braid was handled exactly as I did the Furiosa Shetland top, i.e. divided by length into thirds, and spun end-to-end.  My guess is that they will show how different the same spinning can look where the only variable is the dyer’s colourways.  Tools, breed, and ply structure will be all the same.  It will be interesting to compare them!

Third & last bobbin of the Shetland spin

The wheel is Wee Peggy, and I didn’t change her set-up, scotch tension, 5:1.  It is a 1982 (i.e. late version) Rappard kit wheel that my friend Margaret bought, and sold to me for a first wheel.  Mary Knox has given a timeline comparison of the Peggy wheel designs here.

Since this wheel has been home, I have spun with the Willow Tree figure on the back maiden.  She holds a conch shell to her ear, and if she’s here for luck it’s been working!

As for other purchases most were re-stocking, and I also got dyestuff from John at the Fibre Garden.  Hopefully it all spills into TKK as we go through to the next Festival.

An interesting new-to-me vendor was Karberry Farm from Mountain, On.  Their Shetland was tempting but I chose 2 colours of Jacob roving (raised by a neighbouring shepherd).  Jacob is listed as critical in the Breed Conservation List 2015 of Heritage Livestock Canada.  It was a joy to see a 1-30 animal category rare breed at Woodstock!  I was in danger of grabbing the bag of raw fleece but am glad that I resisted.  Cleaning fleece as I do in the kitchen is more difficult to arrange, and I don’t like keeping wool raw if I can help it.

On Melvin

A quick update is that Melvin has been stable through the summer & fall on his new regimen for feline diabetes.

Our Mel at rest

Here he is to my right as I typed this morning (the Erica loom is beside him in the picture).  Apart from being mighty vocal on the dot of his feeding times, our Melly cat is doing pretty well, and regaining weight that he lost rapidly in the spring.  We will be doing a new blood curve shortly to find out more.

Melvin is still our only pet, and I have been feeling a tug towards adding another to the home.  It’s open-ended but we all agree.

Dream yarn spun via spindles

Within 3 days of my last post, I finished this long-term dream yarn.  The project started back in February 2017 when I called the merino/silk spin Favourite Places.

An island girl’s favourite places (merino silk)

Soaked, and dried flat on a towel the stash is enriched by around 1,209 yards of laceweight handspun zephyr (merino/silk) yarn.

Each skein has a tie-tag (I wrap in clear tape; nothing fancy) that notes the first end.  Place-keeping helps with a gentle gradient!

This was my initial Knit Knack blog post on the spin with its backstory.  Then Team Spindlers saw a lot of the project in our 2017 Tour de Fleece.

The 5th month progressing the spin

With the uplift of shared spinning, I had 850 yards spun by the end of that TdF.  The sweep of Tour spins is in this Flickr album where I parked a set of images.

Time & Measurements in the spin

Before winding-off, the last spun singles

Last night in thinking about what to make, I re-read the Gallery in Meg Swansen’s “A Gathering of Lace“.  The essay on p. 159 by Dallas Cahill spoke about the process over knitting multiple six-foot-square Shetland shawls (11!).  It is so true of a large spindle-spun project too:

You will probably knit like crazy for a while, get tired, put the project away for awhile and then pick it back up.  Your memory will not be enough.  Notes help you remember where you were.

The project notes say that it was a year post-TdF to get the 4th, final 32 g 2-ply ball.  Other fibre work including spindle spins took up the time & I basically did not like running out of this fibre!

The last spun cops combined for a 32 g plying ball just this big.

Yarn is longer than it appears, 2-strand plying ball

Often I hear questions about joining for larger skeins when using spindles.  Well, I don’t.  What you see here is the 2nd largest skein of this particular project:  it is 359 yards strong.

Here’s the overview of my 2-ply zephyr adventure.  Dates are for winding-off to each plying ball:

• February 16, 2017 – 27 g = 279 yards;
• July 15, 2017 = 382 yards;
• July 16, 2017 = 189 yards; and
• September 30, 2018 – 32 g = 359 yards.
• All plying done on Peruvian medium turned pushka (see the last TKK post for a plying pic).

The yarn is around 4,836 yards per pound.  Millspun zephyr (18/2 wool/silk) is 5,040 yards per pound.  Knitters can get 56 g/ 630 yards of zephyr millspun.  My handspun skeins here are lower yardage-wise but it is no bother for me knitting lace.

Yarn check!  What to make now?

It’s a good question.  Ever since the braid hit my hands, I have seen a new knitted lace shawl.  Not wanting to get lost in hubris here, I am taking deep breaths for clarity.

The current idea is to place green at the top of a semi-circle.  The Sarah Don spider pattern shawl is beautiful, and a version is in Jane Sowerby’s “Victorian Lace Today” that I know & trust.  Ravelry project knitters are both thrilled with their FOs and flag the difficult start.

It means flipping the spinning order backwards for the purpose of knitting.  Can I? Yes (take that brain plasticity)!  Should I?  Decision pending!

As for my yarn’s backstory, Mandie of Sheepy Time Knits has seen my skein pictures.  She has all the gratitude – I did the thing we talked about!  After 3 years, 10 months of working my way up to the spindles it’s finished dream yarn.