As the pile of small knits grew & yarn production slowed, I have gathered weaving thoughts. The last month threw-up one challenge after another. In my role as Head Cook & Bottle Washer, I have been taken-up with navigating us through it all safely towards the holidays.
Since these challenges are of the I Specifically Told You Not to Upset my Apple Cart variety (powers that be are so awesome), I have frayed nerves that needed some attention too. Pushed back are the spicy projects, and brought forward are some that have the right mix of inspiration + do-ability.
Side Note: volunteer spinning hat has also been side-lined, temporarily. I miss Spindlers and other spaces but am trying to herd adult cats as it were, and know that the team is very capable in my hopefully short absence.
At some point as I scratched an apparently strong itch to knit hats, it dawned that a single cotton blanket to welcome my good friend’s baby was the thing that I could make. The Monte Cristo cone of cotton bouclé had come home with more adventurous napkin-intended 16/2 tubes. Now that I see the purchase order it was the week before things went sideways! Good timing that.
This 2.5 yard warp uses the white bouclé yarn as 2/2 basket weave, and the sage 8/4 cotton will be plain weave if all goes according to plan. The sett that I chose is 15 epi, and it will fill most of my Mighty Wolf loom’s weaving width.
This is a modification of “Tutti Frutti” by Tom Knisely in Handwoven Baby Blankets, p. 24, and I am threading 4 of my shafts. In planning, I found good advice on setting-up basket weave in Mary Elizabeth Laughlin’s More Than Four, p. 13. With my sett and 12-dent reed, I will be able to separate the bouclé basket threads at both heddles (shown here) & reed dents. There is a special place in heaven for weavers who share tricks & tips in their books.
Our friends are already very busy parents of 2 girls, and this has special thoughts going into the weave. It was a joy to notice the pregnancy on my trip home this summer, and Gail is not only a great friend but her support for all stages of my textiles journey has meant the world to me. She truly is a rare pleasure to weave for, and I am sharing the project as I go with her.
Even smaller but in its own way BIG
This has been so exciting that I have pretty much live-tweeted the entire band! This one will have images to spare. It started this September, and has been good to finally sit with the Lithuanian pick-up traditions that I have read about and so admired.
The pattern that I am building up to here is named as ‘postscripts’ (prierašciai) in Lithuanian Sashes by Anastazija Tamošaitiené & Antanas Tamošaitis, p. 250. It is for the last section of the band.
It was another book before me that started with a diamond over 7 blue pattern threads. The technique is given as Rinktiné juosta, pick-up patterned sash in the very well explained Reflections from a Flaxen Past: For Love of Lithuanian Weaving by Kati Reeder Meek, p. 136.
There I was in the next stage of weaving the design given by weaver, Elena Matulioniene in the ‘hundred-pattern’ type, candle burning and all. The busy area rug was annoying me all the way, and to protests of both N & T it has gone down to the basement where it can’t bother my eyes.
The tools are resting on my straw braided backstrap from Indonesia and all work together to make this possible. The shuttle with yellow weft yarn was made by Alvin Ramer. Next down is my Andean llama bone beater (ruki) that made it all possible as the blue pattern threads (Cascade 220) pilled & fuzzed like crazy on each successive pick! Lastly is a mahogany sword that came with Abby Franquemont’s class kit.
Please remind me that the room barely holds me + a 3-yard backstrap warp? I clamped to the top of the mantle until a lot of the band was woven and on the cloth beam. Getting back to finish the last of this warp will be a pleasure not a chore.
As soon as Gail’s blanket is cut-off, the loom will be closed. We have family visiting from Jamaica, a very welcome change!