The Knit Knack's Blog

my handspinning, knitting, natural dye, weaving fibre home


Leave a comment

Weaving Wednesday and regrowth is important

Happy new year!  We rang ours in with my Mom on a working visit with us, and hit a snare of challenges in the good thereafter.  Having time + head-space to post is a sweet spot in the month.

January in Ontario often feels like this croton coming back from 100% leaf drop.  Let’s not put too fine a point on how I managed to capture beautiful croton regrowth, it’s a metaphor.  She has my apologies.

croton regrowth from severe leaf drop in fall with winter snow through window by irieknit

Croton perseveres

The turn came after I got postponed chores sorted, and declared a Family Day last Friday.  We had a spaghetti & meatballs dinner to cap that suspension of expectations off, and each day has built on that so well.

Winter walking trail along freezing creek with log partially submerged and snow falling by irieknit

Walk before the storm

We all got out in blowing snow the next morning.  Racing with Ty a creek-side trail was still safe fun before the storm really came in.  Later, while N & Ty shoveled snow, I sat with a small sample that I had started weaving.  More about that idea is to come here & now.

Special thanks to those who showed appreciation for my last post.  Hands have reached out, and I am glad that the idea of connecting resonated for you too.  As things straighten again, I will reply to you properly.

Ducks in a row

That which was 34.5″ in the reed is now a finished 30″ x 38.75″ baby blanket on its way to my friends in Jamaica.

Finished handwoven cotton basket weave baby blanket in white cotton slub and plain weave 8/4 cotton pressed and folded by irieknit

Softness – cotton baby blanket

The draw-in + shrinkage (widthwise) in wet finishing was around 13%.  If you didn’t follow the weaving posts, I used a Glimakra temple for that on-loom reed width of 34.5″.

The slub cotton (Monte Cristo, 1,150 YPP) carries up the right side were an issue visually & with wear in mind.  I rolled the 4-end plain weave edges, and all hemming was by hand.

Handwoven cotton baby blanket in white slub basket weave and sage green 8/4 cotton with Ready to Go commercial patch on lower right hem handsewn

Roomy hem came in handy!

The hems are sewn with 100% mercerized cotton quilting thread (Mettler) doubled.  Gail is excited, and I loved weaving for her 3rd daughter due very soon!

Daytime at the loom on this project was such a joy that continuing to sit at my looms & learn is my main 2019 craft intention.

Title page with author Laura Fry autograph of the Intentional Weaver How to Weave Better book taken by irieknit

Laura Fry is helping with this intention

Laura Fry’s work in encouraging all weavers made it easy for me to ask N very seriously for her book as a Christmas present.  Her Preface ends with the same encouragement I knew to expect, and it is to:

… learn as much as possible about all the variables involved in weaving, determine how those variables affect their cloth and choose strategies that will enhance their experience.

The Intentional Weaver:  how to Weave Better” Laura Fry, 2018, p. vii

She didn’t tell me to buy yarn in the year-end sales but I did!  Ty found this book joy a little confusing.  He’s right, I do have other weaving books but understood when I pointed to Laura’s Efficient Weaver video that he watched with me one day, and that she is a Canadian professional weaver.

“Okay, Mom,” may also serve to end the soliloquy but I think he got the drift.

Another astute weaving move is also paying dividends – I registered for Jane Stafford’s online ‘guild.’

Top of Louet Erica 30 cm table loom showing 4 shafts assembled by irieknit

Two shafts become four! Louet Erica 30 cm table loom

The videos demo Louet looms, and I quickly wanted to finish & install my Erica loom shaft extensions.  Two became four!  The aim was to use this 30 cm loom to sample Swedish lace for a small set of napkins.

Handweaving Swedish lace 2/8 cotton sampler on Louet Erica table loom by irieknit

Swedish lace in 2/8 cotton on Louet Erica loom

Several boring mistakes later, I was putting Jane Stafford’s advice into practice with this 2/8 white cotton warp.  It is a traditional 17-end per A, B blocks repeated across 4 times.

Handweaving Swedish lace sampler showing turned lace skips in each block on Louet Erica table loom by irieknit

Turning the lace skips by blocks of Swedish lace

From the blue colour as weft perspective, I much preferred alternating blocks of weft & warp lace skips.  After all the blue is Ty’s special request, and his buy-in is key.  The project threads will be in 16/2 cotton.

Now that I cut the cloth & took all tension off, I saw just how open the full-on lace blocks will be.  Washing is to come but it’s so very obviously in need of more plain weave sections for napkins.

Growth in another also serious sense

The past couple of weeks have been difficult in yarn communities on the internet.  By accident of opting out of a large platform, Instagram, I missed developing stories.  It was this thread retweeted by @DahlingDaughter, Jasmin Knitmore, that both raised my awareness and gave hope.  Much more reading followed but I am not caught-up.

There are relevant stories that I choose not to share publicly some brought to my ears by raw visible privilege.  Others are inherent to my family background in North America & the Caribbean.  None is taken lightly, and I work to grow by not just listening, research but also by stepping all the way back into my feelings.

We can treat the growth factor as having a table loom & letting my son throw the shuttle with me this past Saturday.  However, in this moment it would not feel right.  The impact of racism, colonialism, exclusion in the craft industries is real.  These are serious forces for creators, consumers, business people already operating in niches that are under economic, social pressures.

I do not expect the spaces that I have exited to change on a dime when I am clear about why I am leaving.  They on the other hand cannot expect things of me such as lending support to values of “non-political discourse” that are anything but non-political in the aggregate for example.

Burnout risk in community is also very real.  For the voices that I admire and hear, I hope the joy outweighs cost however you are able to share openly.

 


Leave a comment

Weaving smaller

As the pile of small knits grew & yarn production slowed, I have gathered weaving thoughts.  The last month threw-up one challenge after another.  In my role as Head Cook & Bottle Washer, I have been taken-up with navigating us through it all safely towards the holidays.

Since these challenges are of the I Specifically Told You Not to Upset my Apple Cart variety (powers that be are so awesome), I have frayed nerves that needed some attention too.  Pushed back are the spicy projects, and brought forward are some that have the right mix of inspiration + do-ability.

Side Note:  volunteer spinning hat has also been side-lined, temporarily.  I miss Spindlers and other spaces but am trying to herd adult cats as it were, and know that the team is very capable in my hopefully short absence.

At some point as I scratched an apparently strong itch to knit hats, it dawned that a single cotton blanket to welcome my good friend’s baby was the thing that I could make.  The Monte Cristo cone of cotton bouclé had come home with more adventurous napkin-intended 16/2 tubes.  Now that I see the purchase order it was the week before things went sideways!  Good timing that.

Warping cotton boucle baby blanket for basket weave

For Gail

This 2.5 yard warp uses the white bouclé yarn as 2/2 basket weave, and the sage 8/4 cotton will be plain weave if all goes according to plan.  The sett that I chose is 15 epi, and it will fill most of my Mighty Wolf loom’s weaving width.

Threading for a handwoven cotton baby blanket on Schacht Mighty Wolf Loom by irieknit

Super calming to thread

This is a modification of “Tutti Frutti” by Tom Knisely in Handwoven Baby Blankets, p. 24, and I am threading 4 of my shafts.  In planning, I found good advice on setting-up basket weave in Mary Elizabeth Laughlin’s More Than Four, p. 13.  With my sett and 12-dent reed, I will be able to separate the bouclé basket threads at both heddles (shown here) & reed dents.  There is a special place in heaven for weavers who share tricks & tips in their books.

Our friends are already very busy parents of 2 girls, and this has special thoughts going into the weave.  It was a joy to notice the pregnancy on my trip home this summer, and Gail is not only a great friend but her support for all stages of my textiles journey has meant the world to me.  She truly is a rare pleasure to weave for, and I am sharing the project as I go with her.

Even smaller but in its own way BIG

Weaving a Lithuanian-style sash on backstrap loom by irieknit

Such a good step forward

This has been so exciting that I have pretty much live-tweeted the entire band!  This one will have images to spare.  It started this September, and has been good to finally sit with the Lithuanian pick-up traditions that I have read about and so admired.

The pattern that I am building up to here is named as ‘postscripts’ (prierašciai) in Lithuanian Sashes by Anastazija Tamošaitiené & Antanas Tamošaitis, p. 250.  It is for the last section of the band.

Backstrap weaving Lithuanian band by irieknit

At my loom, and very intent on learning!

It was another book before me that started with a diamond over 7 blue pattern threads.  The technique is given as Rinktiné juosta, pick-up patterned sash in the very well explained Reflections from a Flaxen Past:  For Love of Lithuanian Weaving by Kati Reeder Meek, p. 136.

There I was in the next stage of weaving the design given by weaver, Elena Matulioniene in the ‘hundred-pattern’ type, candle burning and all.  The busy area rug was annoying me all the way, and to protests of both N & T it has gone down to the basement where it can’t bother my eyes.

Backstrap and weaving tools for Lithuanian-style band by irieknit

Without me, the loom

The tools are resting on my straw braided backstrap from Indonesia and all work together to make this possible.  The shuttle with yellow weft yarn was made by Alvin Ramer.  Next down is my Andean llama bone beater (ruki) that made it all possible as the blue pattern threads (Cascade 220) pilled & fuzzed like crazy on each successive pick!  Lastly is a mahogany sword that came with Abby Franquemont’s class kit.

Please remind me that the room barely holds me + a 3-yard backstrap warp?  I clamped to the top of the mantle until a lot of the band was woven and on the cloth beam.  Getting back to finish the last of this warp will be a pleasure not a chore.

As soon as Gail’s blanket is cut-off, the loom will be closed.  We have family visiting from Jamaica, a very welcome change!