The Knit Knack's Blog

Better living through fibre


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Carrying forward – the new Knit Knack year

This past month has been a very good one for my fibre work, seeing N recover from his lingering shingles pain, and the winter of fewer weather alerts.

Stranded two-colour knitted gloves for adult man by irieknit

Little Lithuania gloves for N

The gloves came off the needles shortly after my last TKK post.  They are for N but also were a great reminder that I miss the knits that teach me new skills.

Stranded two-colour knitted gloves for a man by irieknit

Long floats behind the pattern

In “Lithuanian Knitting:  continuing traditions” the authors cite this motif as being common in Lithuania’s western coastal area, Mazoji Lietuva.  As recently as last fall, I had finished a pair of fingerless mitts designed by Donna Druchunas, and so had a grasp of how fingers are placed.  I will share that project & its matching hat soon.

A technical note is to say that I knit these with one yarn in each hand.  The light “cold pressed” CC yarn was held to the left of the dark “prato” MC yarn.  What dominates more to my eye in this pattern is the light value.  The contrast & proportion of light value is what I think makes that pattern yarn dominate over the darker background yarn here.

It is as though the light pattern leaps forward in the hand.  From what I know of colour theory this main hand pattern is a high-major key.  The dark is dominated by the high-value.  This was N’s colour choice, and he loves the gloves.

A traditional pairing is natural or white on a dark background for this motif (p. 165).  Some were 11 stitch floats all across the round.  One round is all light value.  For any floating over 5 stitches, I caught them together.  That extra manipulation was fiddly & slowed me down a ton.

What I am late to finding but would like to share is this guest post by Donna Druchunas on Deb Robson’s blog.  In the post, Donna mentions the traditional crossed knit stitches.  The twisting seems like a good help not just for warmth but also for shielding float colours.  I will try that when knitting other patterns from the book.

For this year

In making the resolution to keep going in the direction of my crafts – spinning, knitting, weaving – I have looked carefully at how to improve the balance.  Selecting what to share & when has proved more of a challenge as content gets ahead of posts.

Hand preparing dyed Gulf Coast Native wool looks on Russian paddle combs by irieknit

New year; new paths

The locks are 105 g of Gulf Coast Native wool hand-dyed by Sheepspot.  These are Meck Russian paddle combs, and were from a birthday present – thank you, N’s Mum.  They hold a lot, and are the in-between wool combs that I had long hoped to find.

Mini-skeins of handspun Gulf Coast Native wool yarn carded and combed samples by irieknit

Sampling like a boss!

The 1st mini-skein is from the Meck combs (winner!).  Same locks but the more muted skein is spun from drum-carded rolag batts.  This is thanks to another awesome new tool that I’ll be learning my way around, a Pat Green blender/carder.

This sampling run was a job for my Watson Martha wheel in the same afternoon last Friday.

Basket with Sheepspot hand-dyed locks and sample handspun skeins by irieknit

Nice, right?!

 

New tools & materials are part of the mix this year.  Even more importantly, I am solving the puzzle of how I can work more evenly; share more fully for TKK this year.

It’s happened because I decided to use a desk planner to you know, plan.  Even simple daily entries since January 4th have given me a handle on how I work.  There’s more spinning than anything & I can both weave & keep other projects going.

One big take-away – I knit too much for others now.  It used to be my thing.

Spinning hemp top on Tom Forrester supported spindle cow bone whorl

Hemp top last touched in December 2015

The hemp top spinning on this Tom Forrester supported spindle is an example.  It was last spun around December 26, 2015.  Here’s why my Planner shows:

Spinning Egyptian cotton on coin takhli spindle by irieknit

January’s joy of Egyptian cotton

This (to me) immensely full coin takhli was – as my new friend the desk planner says – wound-off on January 30th.  That is 25 g of fine cotton spun in 6 months.  Let’s see if I improve in the next few months.  I like & am resolved to spin more cotton.

As I try to rein in how thinly the work/life gets spread this year, I will be remembering our Jamaican proverb.  Old-time people seh:

One, one coco full basket

Keep gathering your ground provisions because that’s your way to a full basket.  In other words – don’t expect to achieve success overnight.

Melvin cat on bed of logwood-dyed Border Leicester locks by irieknit

Before he was rousted, Melvin

Let’s not scare the nice kitty but we are also seriously thinking about adopting a dog again.  Here’s to 2016!


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Tension magic – antique flax wheel restored

On what was a pretty ugh day, the restored flyer for my antique flax wheel arrived in the mail.  It’s been cheerful around here ever since!

Antique flax Canadian saxony spinning wheel

All in one piece!

Regular readers & Twitter followers may remember this wheel as coming home by accident from the Ramer spinning wheel collection.  Not all of my wheels have names but hers is Linley.

Spinning Tussah silk laceweight yarn on antique flax saxony spinning wheel

The flax wheel’s a keeper – tussah silk and a sea urchin for scale

Along with other repairs, Alvin Ramer re-built her flyer.  It has the wide arms that I love for wet spinning flax, and he also made 3 new oak bobbins.

The issue was inside the antique whorl, and it completely lost all traction after I had a blast spinning 618 yards of 2-ply yarn from silk caps.  It was too loose for a teflon tape fix, and I needed professional help.  Non-spinners, this is code for I got lots of twist but the wheel could not wind the yarn onto the bobbin.

Tension is the magic that allows your wheel to fully function.  And it is probably the single most important thing you can learn about your wheel.

Bette Hochberg, Handspinner’s Handbook, p. 17

Reed Needles, Wheelwright in St. Mary’s Ontario gave me an on-the-show-grounds consultation at Woodstock this October, and now we are back to working order.  If you haven’t met Reed, the CreativFestival blog has that nice feature post about his work & with tips on restoration issues.

Front maiden view of antique flax saxony spinning wheel

A very flax orifice – it’s tiny and it’s round

The orifice hook that you see in the 1st image is also Reed’s work.  It is custom to fit the wheel’s 7 mm diameter opening.  This is slightly larger than 4 mm diameter of the William McDonald Nova Scotia flax wheel fluted orifice for example but is way too small for Reed’s standard hooks.  He has my thanks for such a great touch.  The bent paper clip is gone, Reed.  It is really gone!

 The good news!

In looking over the wheel, Reed had observed that the maker used cedar for her treadle.

Antique flax saxony spinning wheel treadle

The treadle is as comfortable as it is pretty

This is a strong indicator for a Canadian origin. I am going to edit my earlier posts to add a note rebutting the Irish presumption!  Those posts still get views through search engine traffic.

Antique flax saxony spinning wheel carved tension screw

Heart of the matter, the tension screw

Reed also shares my love for Canadian flax wheels.  It was wonderful to hear his positive evaluation, and interest in my find!  The main wood is quarter-sawn oak, and Reed also liked what first drew me in as well, the craftsmanship in her details.  The tension screw matches the maidens’ design beautifully for example.

There is some not so good news too

Decisions are still pending, and I am treating the wheel gently.  Now that the flyer is stable, I am sure of a current alignment issue with the drive wheel.

Antique saxony flax drive wheel axle

The rear axle is showing wear

The spinner’s side axle shows no wear but you can see how worn down the metal is on both contact areas of the rear axle.  What I can hear & feel while spinning is movement like a swash.  Crossed-off the trouble-makers’ list are:

  • The spinner’s side axle – snug in the bearing & well pinned;
  • The wheel hub – stable with no movement;
  • Uprights – they are level with shims under the table, and the rear axle has a bearing added; and
  • Generally solid as a rock.

A temporary fix has been to add smooth leather in the wall of the rear bearing.  Following advice shared in the Antique Spinning Wheels forum on Ravelry, I will also try to improve the situation with copper.  My other idea was to tape the axle wear points as a way to watch for more wear.

Ultimately, I may need to consider a replacement for the axle.  That’s a big repair.  I have also explored brazing a little but am concerned about possible weakening of the metal in the process.  If anyone has thoughts or insights, I would love to hear from you.  This is a new issue for me to learn about!

Handspun Polwarth wool on antique click reel

Polwarth wool

It’s been good spinning of late, and I wish the same for you!  This Polwarth project is up to 910 yards and counting on the Spinolution Mach 2 from a pound of undyed top.


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Living a little and crafting a lot – knits, spins and even weaving!

The past month took me home for a sad occasion with family.  It has meant working harder to get ready for the holidays ahead but I came back deeply grounded.

Bougainvillea new growth after coming indoors

Her late blooms and new leaves are a wonder

On the flight south, I took out my new Ampersand sock-in-progress… only to find out that my seat-mate was also a knitter!  She had holiday knits on the go, and I got down to the foot with this lovely Indigodragonfly merino yarn as we knit along with each other.

 

Indigodragonfly fingering weight handdyed yarn

‘Who’s a Happy Tribute?’ colourway from the Knitter’s Frolic

A better blogger would have the actual sock project to share, I know.  This is the trouble with major disruptions & terrible seasonal lighting around here – not for everyone but if you are me the photography it suffers.

Catching us Up (a bit)!

You were missed, as I was propelled forward.  This is only the tip of what’s been happening while I was away from posting.

Antique saxony spinning wheels in a hatchback vehicle

We can call the wheels at home a herd now.

Only a couple days before our sad news was delivered, I had another trip to visit Alvin & Barbara Anne Ramer. Alvin repaired my antique William McDonald wheel while I cough fell in love with the smaller wheel in the foreground cough.  The separation of this metal pin and an old fix to her treadle bar needed attention.

 

Broken treadle pin on antique Nova Scotia flax spinning wheel

You can imagine my horror

Alvin fixed this main problem, and he also made other adjustments to the wheel.  It was awesome to see him in good health & at his wheel-smith work.  Barbara Anne was so gracious as well, and I loved speaking more with her about spinning, weaving and her plans.

Blue Faced Leicester/Silk yarn spun on antique spinning wheel on niddy noddy

First spun on the early C19 Nova Scotia wheel

The first spin is 646 yards (127g) of BFL wool/silk.  It was all plied on my Watson Martha wheel in double drive.

Last Thursday, I used this yarn for a great dye experiment with Madder root.  The mordant is alum @ 8% and cream of tartar @ 7%.  I brought the 100g of ground Madder with 1 tbsp of baking soda up to a simmer, and cooled overnight.

Madder dye bath preparation

Straining madder root from dye liquor!

Further tweaking happened in the morning after straining, and I mordanted handspun Dorset (horned) wool yarn for the legendary exhaust baths.

Natural dye with Madder root on handspun yarn

Home-dyeing with Madder root!

This operation was surprisingly fragrant!  The madder has a nutty, smoky aroma.  After rinsing & drying, I have rich oranges – and the exhaust material/bath in reserve!

Natural dyed handspun yarns using Madder and alum mordant

Madder’s fall bounty!

Although I strained & rinsed thoroughly small specks of the ground dyestuff are scattering from the skeins.  It’s no big deal at all but is a side-effect!

Handspun Falkland wool dyed in black walnut, antique wheel spinning

Walnut-dyed Falkland handspun yarn

The McDonald antique wheel was also a joy for spinning my Falkland top that is dyed with black walnut.  The 5.9 oz gave me 593 yards of 2-ply.  This time I changed ratios on the Watson Martha but still plied in double drive.

Spindles, loom & knits

All have been in rotation since I recovered from the time away.  These are just quick out-takes (in no particular order) while I keep gaining on deadlines.

Spinning organic handdyed Polwarth wool with a Tabachek drop spindle

Cedar Tabachek with organic Polwarth

The dyed-by Sheepspot spinning project is down to the last 44g of Polwarth wool.  Having the cedar Tabachek drop spindle in regular use again has made me so happy.  My plan is to chain-ply this yarn when it is all spun up.

Spinning batts from Enting Fibercraft on Bosworth Moosie drop spindle

Oceanside Ent Batts for a Moosie WIN!

These batts by Naomi at Enting Fibercraft are amazing.  Four breeds of wool are blended with Tussah silk & Bamboo rayon.  The colour is so deep, and the blend is just fabulous on my Moosie spindle.

Handwoven cotton kitchen towels in Keep it Simple pattern

Learning curve & humble pie to mix metaphors!

These towels stretched me so much.  The red one is unwashed.  A mistake that glared at my friend Diane in the top towel got corrected thanks to her kind pointing-out.  They need pressing, hemming and documenting but they certainly have happened!

Baby Surprise Jacket, newborn size in Heritage Handpaints by Cascade

Another Baby Surprise Jacket!

A lace-edged hat, and booties went with this Baby Surprise Jacket for my cousin.  Her shower was this past Sunday, and we can’t wait to see her baby outfitted in the knits!


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When plying sings

Plying the 980 g of natural white Romney lamb’s wool is making my week.  You may have heard me use the word, ‘obsessed’ when I posted this picture on Twitter?  It has come as a surprise.

Plied hand-combed Romney lamb's wool on Watson Martha spinning wheel

Plying two good things together

For one thing the singles flow evenly from the plying ball.  Both strands feed together to my hands.  The holding pen for the ply ball is a tall Piroline cookie tin to my right.  Quiet, gentle, stream-of-spinning time.

This is the smaller whorl for my Watson Martha wheel.  The larger of the two ratios is working well with the Scotch tension braking the bobbin.  The rhythm slows a little as I get to the bobbin’s capacity of around 110 g of the yarn.  It’s just a matter of paying closer attention to the winding-on since the yarn can jump out of the hooks as the bobbin gets full.

Winding handspun wool yarn on an antique wooden click reel

Antique yarn reel in action!

My blue click reel from the Ramer Collection has made winding-off, and counting such a breeze.  The click still makes me jump (and Melvin glower) but she has a beautiful logic!  Each round is 90″, and the click is at 120 revolutions.  That measures 300 yards or a linen weaver’s lea!  One lea in the yarn count system is 300 yards per pound.

Cleaned wood antique click reel from the Ramer Collection

Brace that elbow!

A small hurdle after cleaning her up lightly with diluted Murphy’s Oil soap was the floppy jointed spoke.  My substitute collar is 3 strips of Velcro.  It’s yet another application of Janet Dawson’s floor loom weaving class on Craftsy!  So far with the braced reel’s help, I have around 1,500 yards of 2-ply with more to come.

Plying with Andean pushkas

The medium and large size Andean turned low-whorl spindles are my plying tools of choice for my spindle projects.  With practice, I am getting better at using them comfortably with larger cops.

Finished handspun yarn from blended Shetland, Merino, Tussah silk

Mulled cider set in skein form

This is the plying that I started in early September.  It was a 3.2 oz set of batts from Enting Fibercraft (shetland/merino/tussah silk blend), and I made 497 yards total here.  The larger skein at the top is 304 yards.  This yarn measures 24 wraps per inch or what I class as a light fingering weight.

Melvin the cat with tulipwood Moosie and handspun Shetland wool yarn dyed by The Painted Tiger

Hello, Moosie spin

The leisurely spin of The Painted Tiger’s hand-dyed braid of Shetland wool with my new Moosie came out at over 2,900 yards per pound!  The first plying ball gave around 249 yards.

Handspun Shetland wool yarn dyed by The Painted Tiger

A full-for-me plying Pushka

The second skein came in at 494 yards!  I was also giving a high plying twist because I would like to weave with the yarn.

I launch these spindles in the Andean style that Abby Franquemont taught me in her “All Spindles All Day” class.  Winding is more efficient as the cop grows, and the spindle goes amazingly fast as well.

Handspun Shetland wool 2-ply yarn dyed by The Painted Tiger

Cherry Fudge in yarn form

Fast-forward these few years, and my set-up is still very simple.  I place the plying ball in a small clay flowerpot that is on the floor behind my left hand.  I ply standing-up on an anti-fatigue mat.  When I came to Abby’s class, I was (barely!) able to butterfly with my non-dominant left hand.  Switching the butterfly was key, and Abby taught me the next steps:  set & release the half-hitches with my right hand; and the launch for my typical Z-ply twist.

To compare a large shawl project that I spun with spindles, and is on our current TKK banner, above – the largest skein measured 366 yards.  It is the fluidity that has improved.  This is what I look at with expert spinners.  Even watching another spinner’s motions can give your practice a subtle shift.

Getting to the place where plying sings is helping me complete even less-focused projects.  At least these past few weeks it hasn’t been akin to watching paint dry!

Speaking of seeing spinners, are you going to the Woodstock Fleece Festival on Saturday?  It’s a great consolation for not going to Rhinebeck.  Hope to see some friends, and to succumb to fibrey temptation!


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Ten bobbins towards a blanket, and Toby thanks

Over 5 days of work this month the remaining prime Romney lamb’s locks met my Forsyth Fine wool combs.

Handcombing Romney ewe lamb's wool on Forsyth Fine combs and diz

Last of the longer Romney ewe lamb’s locks

Most of the more defined locks had already been combed.  I hunted for the still distinct tips, and pulled away.  When even those weathered tips were disorganized, I did Margaret Stove’s trick of moving the locks between fingers to find that tip grain.  It took more time to load for each new pass but they were still in the tips-out orientation.  As you can see from the stationary comb here only a few are showing the lock crimp.

Blanket project worsted spun singles in Romney ewe lamb's wool

Basket full of Romney worsted singles!

State of the blanket specifics as shown in my basket are:

  • Each single worsted spun on my Watson Martha in scotch tension using a short forward draw with 18 lengths of hand-combed top each.  Last singles shown on bobbins are 4 lengths of top each.
  • Four plying balls = 537 g or just over 1lb.
  • Singles all spun right with “Z” twist.  I will ply for a “S” twist yarn.
  • That right there is 18 days of varying amounts of work from Saturday, July 19th to Saturday, September 20th, 2014.

I could say this was therapeutic in the month that we lost Toby.  It was but what I want to tell you is that going back to the combs was difficult in such a quiet house.  He used to sit at my feet (and I will show you where, down-post) while I did this work.  A little piece of old knitting helped me overcome this feeling of sad silence.

Knitted mobile device cozy by Irieknit

Oldie but goodie knit – hands-free combing

It held my phone, which played Neal Gaiman reading his “Neverwhere” (sound effects and all).  It wasn’t long before I hit my stride, and got those last 6 bobbins all spun-up.  Audio books, the fibre-worker’s friend.

No headphone cords were harmed in the combing.

Wait, we are not plying yet

The wheel is still in singles-production mode.  Thoughts occur to you while a project comes together.  Some are crazy pants and best not discussed too soon.

Hand-combed seconds from Romney ewe lamb's fleece

Fodder for the hand cards – Romney lamb’s combing seconds

For each bout of hand-combing, I separated the actual trash from what looked like seconds.  Over the years, I have learned (yes, the hard way) not to be precious about this.  You keep what you can keep, and the rest is compost.

The cotton cards were not good for this job.  I have found my standard cards with 76 tpi are giving nice rolags.  It’s easy work with the hard prep work behind me.  I also have un-combed locks left in another pillow-case.

Best guess? The existing singles could knit up on their own into a lovely circular or Shetland-inspired blanket.  What going the extra mile does is to open the door for a possible woven item.  These rolags spun in the same way could make a lofty weft for example.  Alternatively, I could make more worsted yarn from another fleece.  At this point in my spinning career, I know that more options for sampling is optimal.  If ever there was yarn that should hit an optimal mark it is this local Romney lamb’s fleece!

It really has been the spinning project that I hoped-for this year, and is still going strong!

Deepest thanks 

Thank you for everyone who has kept us in their thoughts, and who reached-out to me after my last post.  Your support meant so much.  I was only able to thank one of you in person but each comment was so very touching.

Toby and Melvin in peaceful kitchen co-existence

Brothers at rest, Toby & Melvin

This was Toby’s spot by my kitchen combing station.  Since Melvin loved the fleece-drying rack so much last summer, we threw his bed in for the duration.  They both liked it this way.  N suggested another picture of Tobes for everyone here, and this is a favorite of ours.

All of your comments, and replies helped me when this was still tremendously raw.  Many thanks to you, friends.  We are all adjusting but miss him a lot.


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Spinning on a blanket

Am I ever happy that I took the plunge on a made (by me)-in-Ontario wool blanket!  How could you not love having this to work with?

Hand-combing station for Ontario Romney lamb's wool

Value add: combing local Romney lamb’s wool

Love, however, gets you only so far with a project like this.  Fine-tuning my process has helped tremendously, and I am sharing the tweaks with you, today.  Simply adding denim under the comb’s clamps has been great.  It not only gives huge grip & protection but also gives me visual contrast.  That indigo is a welcome relief from white wool seen against the white ceramic floor tiles!  Getting a clean combing is so much easier now.

Another tweak is with the flick card sitting there on top of the waste bucket.  With clean & largely sound tips, I am just flicking the cut-end of  most locks before loading the comb.  It speeds things up.  As does flicking while standing – I hold locks tightly twisted, and flick into thin air.  No lap-cloth; just bouncing and slightly combing against the grip.

By using the flicker again on the waste from combs, I keep the seconds for the hand-cards (later, much later!) and compost the rest.

Hand-combed Romney wool dizzed top by irieknit

Resulting wool top for spinning

My focus is to do same-day spinning.  Two passes in the combs is good for this wool.  I use my lignum vitae Tabachek diz (see: the 1st picture, lower left) to pull the top.  It is 3/32″, and is so cool for this job.  Smooth, strong, and a pleasure to hold.

As gleaned from Robin Russo’s video, I am now using a clean sheet on top of my anti-fatigue mat as I diz the wool from the combs.  Catching it cleanly has helped the spinning too.

Spinning hand-combed Romney lamb's wool top on my Watson Martha

This Tuesday’s fibre prep

The main challenge is to keep moving forward.  This is intensive work – both in terms of time and labour.  My 6th bobbin has 7 lengths of top so far.  It is logged on a project sheet that I keep on the dining table.

Keeping it real is key here.  My Watson Martha wheel is the spinning tool, and it will be on this exclusively for the duration.  Although the bobbins are larger, I am spinning 18 lengths of top for each single using Scotch tension, and a cotton knitting yarn for the drive band.  There is a small sample from my first spinning that keeps me mindful not to draft the top too thin as is my wont.

The Spinner's Book of Fleece by Beth Smith autographed for irieknit

Motivation in book form: Beth Smith is helping

Nothing that I have described here is beyond my ability.  Everything is unless I stay the course.  This is why I am thrilled to have my friend Beth Smith’s new book, “The Spinner’s Book of Fleece” land just at the right moment.  Beth gets fleece to yarn, and then to the projects that she maps out methodically.  As a former workshop student with Beth, I knew that the technical side would be well and gently covered.  On my chosen breed, I learned at p. 135:

Romney wool is considered to have demi-luster, which means it has some shine but not as much as some of the Leicesters or Teeswater…

What leaps off the pages are the projects and samples.  They are light at the end of a tunnel.  Here I am working 5 days to get one of these 2-ply balls of yarn for my project.  It weighs 105g.

First plying balls of Romney lamb's wool for a blanket

Preparing for a family blanket of Romney wool

Having Beth’s voice reinforce truths like, “Spinning is not an end in itself,” on my coffee table is that special help.  Her handwoven images and notes are invaluable as I inch towards my goal of weaving with my handspun yarns.  This élan of working in unique but logical ways with fibre is egging me on.  Beth is the friend who asked why I had more fleece stash than projects.  I am glad that I could listen to quiet urging, and for the kind words in her autograph!

 

Before I go back to the combs – big thanks for all the support about Toby that poured in after my last post.  He seems to be doing better this week but occasionally has seizures now.


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Celebrating Canada – a new spinning project

Bosworth Moosie spindle with tulipwood shaft and Shetland wool

Happy birthday, Canada!

While spinning on my uber-patriotic Bosworth Moosie this morning, I had a thought.  Why not share the spinning project that I am so close to starting?  It is as Canadian as those colours, and is special besides.  Who cares if we spoke only yesterday, right?

Ontario produces superb wool

Two months ago, I wrote something.  It is long-hand, on a sheet of yellow legal paper.  It came after an on-line discussion with Canadian knitters who asserted that Ontario does not produce high-grade fibre on a commercial scale.  As I sorted my thoughts on the topic, I wrote:

Recently, I turned to N, and asked what does he think my favourite fibre might be?  He answered, “Wool.  It is still wool.”  We smiled, and he is correct.

This fibreshed is precisely where my passion is rooted.  As TKK readers know, it all began in 2009 with a raw local Romney ram’s fleece.  I still work and find good value close to home.  Leading spinners whose work I respect, Deb Robson, Clara Parkes, and Sue Blacker all focus on the importance of using local fibre from specific breeds.

We now even have Canadian knitting yarn dyed in-house by my friend, Sasha.  These single breed yarns are available here.

Skein of handdyed merino fingering weight Sheepspot yarn

Sheepspot yarn of loveliness

It is fast becoming a Magical Side to Side scarf designed by Susan Santos.  Knitters, do help support a new breed-specific grassroots label!

Sheepspot merino yarn for Santos designed knitted shawl by irieknit

Such a rich Sheepspot colourway!

As an aside, Sasha’s newsletters are also very good.  What does a knitter need to know?  Well, this as Sue Blacker says in “Pure Wool” (2012, Oceana, p. 7):

Finding the right yarn for a project is vital.  The sheer versatility of wool and the possibilities of creating specific yarns for specific purposes are, perhaps, not fully appreciated.

Your success lies in thinking about the breed’s strengths/uses.

A made-in-Ontario blanket…

… or putting a project where my mouth is!

Ontario Romney cleaned ewe lamb fleece in Jamaican handwoven basket

Also known as a blanket?

My celebration is to use the remaining 1.876 lbs/ 851 g of local Romney ewe lamb’s wool, and make a family blanket.

It has Most Favoured Fleece status in the stash.  Buttercup’s farmer is Julie Hartford of  Engleheart, Ontario.  You can see its 3lbs 5oz beginnings here from July 2010 as raw fleece.

Romney lamb's wool and preparing with Forsyth fine hand combs by irieknit

Combing heaven – Ontario Romney lamb’s wool

In formulating these thoughts, I did use my gradient of hand-prepared local wools.  It’s now a useful fibre basket in my spinning room – for wool, of course!

Hand prepared handspun wool knitted bag by irieknit

An after-market wool basket

Everything about this was freeing.  How many stitches did I cast on?  Well, an even number.  The yarns range from well-spun to those that I was hiding under a rug but they all work together in this mesh stitch.

Lower section detail of hand prepared and handspun wool knitted mesh bag by irieknit

Neither a silk purse nor a sow’s ear

That middle grey?  Oh, it came from the Romney ram’s nether regions, I am sure!  The marled is from a mohair blending experiment (also local) with a free meat fleece.

Handle for hand prepared handspun wool knitted bag by irieknit

Reining lateral spread in, 101

My longwools came into their own for the i-cord effort at taming the too-large opening.  The top white wool, and mauve (logwood dyed!) are both Border Leicester from Lambsquarters farm in Holstein, Ontario.

Mid-section detail of hand prepared handspun wool knitted bag by irieknit

All local wools great & small

My parting thought was that if I could use such disparate yarns then I am actually ready for this effort.  We could use a blanket.  A little knowledge has led me to suspect that our childhood blankets are both of acrylic extraction!

Melvin the cat in old vertical blinds

Mels appreciates change

The home improvements are enriching Melvin’s life considerably in the meantime.