The Knit Knack's Blog

Better living through fibre

Handknit Valentines Day hearts


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Lots of love, Happy Valentines!

Happy Valentines Day!

Handknit heart decorations by irieknit

Family of hearts

The middle Heart Pin is for T.  It used a bit of my remnant Cascade 220 worsted wool yarn.  Each side has 4 ends of weaving-in love.

Outer hearts are in Sublime angora/merino bought these many years ago as a single ball on sale.  They have gone with cards for T’s new teachers.  Schooling love started last month.  How proud am I?  20 ends sewn-in proud with glitter heart stickers proud!

The white tie on our left heart there is also in T’s set of back-up mittens for school.  The undyed Cormo Worsted from Sasha Torres’ Sheepspot line of yarns paired with her inky blue to take the edge-off knitting a third pair of mittens.

Handknit child mittens in Sheepspot Cormo Worsted yarn by irieknit

No-itch Cormo Mittens!

The pattern is Kathy’s Mittens by Chris de Longpré.  All 3 pairs are knit in the round.  The other 2 (not shown) are solid yarn leftovers from two of T’s sweaters – Peace Fleece and green Rowan pure superwash wool.

For this last pair in Cormo, I used 46 yards of blue + 16 yards of natural.  With a cuff that I was clearly anxious to stop knitting plus breed-specific yarn, I am happy to send them inside of T’s backpack.  What kindergartener is easy on the mittens?

Off the needles

One of last year’s happy knit events was a KAL in the Knit/Wit Designs Fans Ravelry group.  It fell out of the blog posts at the time but was a fun gift for a dear family friend, Hedy.

Handknit colourwork Zeccola Cowl in progress by irieknit

Zeccola Cowl starting lines

The Sheepy Time Yarns rainbow kit was an obvious choice since the answer to favourite colour that Hedy gives everyone is “rainbow!”  This is one in a series of colourwork designs by Sarah Jordan, the Zeccola Cowl.

Handknit colourwork Zeccola Cowl by irieknit

Ready for shipping, Zeccola Cowl

This project is a perfect example of how knitting has worked to naturally stretch my colour horizons.  Our friend loves her bright scarf.  It is knit in the round, and is probably superb in Sarah’s recommended sport yarn.

Fast forward to this year, and Sarah is currently hosting her StitchburghKAL.  It runs until Friday, March 3rd & is for patterns in her new collection of the main name.

Handspun Corriedale handdyed wool yarn by irieknit

Deep stash – handspun Corriedale wool

As the image shows this was a 2010 yarn of super density that I spun on my then-new Spinolution Mach 2 wheel.  The around 222 yards is not much to hold 8 ounces of Corriedale wool!

If you have heard me go on about my grist learning curve – yup, that’s it!

444 yards per pound may not be an easy yarn to plug into most patterns at half that yardage but Sarah has an ingenious pattern in her collection that works for a wide range of yarns.

Handspun handknit Corriedale wool Pierogi slipper sock

Instant gratification for the mid-winter: Pierogi slipper sock

The Pierogi Slipper Socks pattern is written for sport or DK-weight yarn.  It worked very well using a stitch ratio approach.  I again gave thanks for my Darn Pretty Needles as the 2.75 mm set is unharmed.  They worked hard to give me 20 stitches in stockinette stitch in the round.

Handspun handknit Corriedale wool Pierogi Slipper Socks finished by irieknit

Ah, the brightness! We need the brightness!

The colourway is Gumdrops by Sweet Georgia Yarns.  I had bought 2 braids from a local spinner’s destash.  This tight gauge blends the clearly barberpole yarn into such neat colour bands.

As you can tell, my toe-knitting is still not equal from one foot to the next!  It was late?  My nutty gauge used approximately 140 yards.

Back view of handspun handknit Corriedale wool Pierogi Slipper Socks by irieknit

The “pierogi” tabs on the hoof!

These were a quick-enough knit that joining the knitalong now is definitely do-able.  Mine were between January 31 and February 3, 2017.

This was my first finished object of 2017.  Handspun stash lessening!  They are warm and equally nicely, snug.

My family lived in Pittsburgh for 4 years when I was around T’s age.  It has been cool to read Sarah’s design introductions because I have childhood memories but have not been back since age seven when we returned to live in Jamaica.

 


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Carrying forward – the new Knit Knack year

This past month has been a very good one for my fibre work, seeing N recover from his lingering shingles pain, and the winter of fewer weather alerts.

Stranded two-colour knitted gloves for adult man by irieknit

Little Lithuania gloves for N

The gloves came off the needles shortly after my last TKK post.  They are for N but also were a great reminder that I miss the knits that teach me new skills.

Stranded two-colour knitted gloves for a man by irieknit

Long floats behind the pattern

In “Lithuanian Knitting:  continuing traditions” the authors cite this motif as being common in Lithuania’s western coastal area, Mazoji Lietuva.  As recently as last fall, I had finished a pair of fingerless mitts designed by Donna Druchunas, and so had a grasp of how fingers are placed.  I will share that project & its matching hat soon.

A technical note is to say that I knit these with one yarn in each hand.  The light “cold pressed” CC yarn was held to the left of the dark “prato” MC yarn.  What dominates more to my eye in this pattern is the light value.  The contrast & proportion of light value is what I think makes that pattern yarn dominate over the darker background yarn here.

It is as though the light pattern leaps forward in the hand.  From what I know of colour theory this main hand pattern is a high-major key.  The dark is dominated by the high-value.  This was N’s colour choice, and he loves the gloves.

A traditional pairing is natural or white on a dark background for this motif (p. 165).  Some were 11 stitch floats all across the round.  One round is all light value.  For any floating over 5 stitches, I caught them together.  That extra manipulation was fiddly & slowed me down a ton.

What I am late to finding but would like to share is this guest post by Donna Druchunas on Deb Robson’s blog.  In the post, Donna mentions the traditional crossed knit stitches.  The twisting seems like a good help not just for warmth but also for shielding float colours.  I will try that when knitting other patterns from the book.

For this year

In making the resolution to keep going in the direction of my crafts – spinning, knitting, weaving – I have looked carefully at how to improve the balance.  Selecting what to share & when has proved more of a challenge as content gets ahead of posts.

Hand preparing dyed Gulf Coast Native wool looks on Russian paddle combs by irieknit

New year; new paths

The locks are 105 g of Gulf Coast Native wool hand-dyed by Sheepspot.  These are Meck Russian paddle combs, and were from a birthday present – thank you, N’s Mum.  They hold a lot, and are the in-between wool combs that I had long hoped to find.

Mini-skeins of handspun Gulf Coast Native wool yarn carded and combed samples by irieknit

Sampling like a boss!

The 1st mini-skein is from the Meck combs (winner!).  Same locks but the more muted skein is spun from drum-carded rolag batts.  This is thanks to another awesome new tool that I’ll be learning my way around, a Pat Green blender/carder.

This sampling run was a job for my Watson Martha wheel in the same afternoon last Friday.

Basket with Sheepspot hand-dyed locks and sample handspun skeins by irieknit

Nice, right?!

 

New tools & materials are part of the mix this year.  Even more importantly, I am solving the puzzle of how I can work more evenly; share more fully for TKK this year.

It’s happened because I decided to use a desk planner to you know, plan.  Even simple daily entries since January 4th have given me a handle on how I work.  There’s more spinning than anything & I can both weave & keep other projects going.

One big take-away – I knit too much for others now.  It used to be my thing.

Spinning hemp top on Tom Forrester supported spindle cow bone whorl

Hemp top last touched in December 2015

The hemp top spinning on this Tom Forrester supported spindle is an example.  It was last spun around December 26, 2015.  Here’s why my Planner shows:

Spinning Egyptian cotton on coin takhli spindle by irieknit

January’s joy of Egyptian cotton

This (to me) immensely full coin takhli was – as my new friend the desk planner says – wound-off on January 30th.  That is 25 g of fine cotton spun in 6 months.  Let’s see if I improve in the next few months.  I like & am resolved to spin more cotton.

As I try to rein in how thinly the work/life gets spread this year, I will be remembering our Jamaican proverb.  Old-time people seh:

One, one coco full basket

Keep gathering your ground provisions because that’s your way to a full basket.  In other words – don’t expect to achieve success overnight.

Melvin cat on bed of logwood-dyed Border Leicester locks by irieknit

Before he was rousted, Melvin

Let’s not scare the nice kitty but we are also seriously thinking about adopting a dog again.  Here’s to 2016!


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Season’s greetings!

Best wishes for a happy & safe season to all!

Our Peace and Quiet plans got thrown last Friday when N woke-up with a bad rash.  It’s shingles, and this quickly became a painful week for him.  The treatment is working but his skin continues to be very tender.

Christmas arrangement on handspun woven runner by irieknit

While making do without a tree for Christmas time, the new woven runner & a special delivery are both giving much needed cheer at our place.

A beautiful potted Poinsettia has also been doing a very good job in the living room.  We have traditional ham, etc. looking forward to as well.

Handspun woven Christmas overshot table runner by irieknit

Festive colour splash, thanks to handspun

The winding of my handspun for weft created a regular break for showing the yarn’s colour gradient.  The repeat is enough to bring the break together, and I love seeing the bands as I walk through the hall.

In planning, I allowed 15% extra Harrisville Shetland warp each for shrinkage and take-up after weaving.  This weaving of 55″ with 3″ hems on the ends has washed as a 46″ long runner for our vintage Singer sewing machine.  The width is 13″ (i.e. down 2″ from the reed width after washing).

When not posing for pictures, the table sees good use holding keys, spare change & so much paper.

Reverse woven fabric overshot handspun table runner by irieknit

Reverse – festive bubbles!

The fulling process did wonders for the reverse of the fabric as well.  I love the handspun pops.  The plain weave hems are hand-sewn with some of my late Grandmother’s thread.

The hems’ weft is also handspun that I dyed this spring – the rejected ‘soft’ sand weft in my Colour of Water guild show scarves.  It is 50% silk/25% buffalo/ 25% white cashmere from Sericin Silkworks.  With under 200 yards, I am having fun with it.

Knitting stranded gloves Little Lithuania by irieknit in fingering weight wool

Little Lithuania gloves

Knitting for the sick one is going to be today’s big task.  The incredibly mild weather – hello, 16°C in our town on Christmas Eve – takes some of the pressure off but I would like to finish 3 fingers, and 2 thumbs.

detail of knitting in progress for stranded gloves Little Lithuania by irieknit

Stranded, and his choice of pattern

The design is Little Lithuania, and N chose the Rhichard Devrieze fingering weight yarns in Prato & Cold Pressed.  I have added rounds to the top of the pattern’s chart to get the length it calls for.

Needing to size for N, and correcting an unforced knitting error in the second glove (thumb placement matters!) have made this a race to the deadline but that’s okay.  It is not like he is headed outside or like outside is very cold.

Wishing joy, and kindness

Please be kind to yourself, and to others.  This season can be so full of expectations, loss, strife.  Via Irwin Elman on Twitter, If the holidays are hard for you, doing these 4 things really could help.

Whatever your observance or none, wishing you joy!


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Weaving with the Navarro Gomez sisters, and beyond

The ROM’s first exhibition celebrating its Mexican collection is open through May 2016: ¡Viva Mexico! Clothing & Culture.  The exhibition includes around 150 pieces spanning 300 years.  This May the Museum hosted master backstrap weavers, Crispina &  Margarita Navarro Gómez as a complement to the exhibit.

ROM Artist-in-residence Margarita Navarro Gomez demonstrating backstrap weaving with irieknit

Weaving with Margarita Navarro Gomez at her demonstration backstrap loom

I visited on May 19th, and was able to meet the artists-in-residence as they demonstrated outside of the gallery.

Curator, Chloë Sayer, spoke with me & also helped with translation since I do not speak Spanish.  With her help, I asked the sisters questions about their work, and home in Santo Tomás Jalieza, Oaxaca state.  I learned that the sisters do not typically spin but use mill-spun threads, and are of the Zapotec culture.  It was also fun for my part to show a little spinning of East Friesian wool roving on my vintage Andean low-whorl spindle.

Luckily, it was still quiet when I got back after lunch with N.  A very nice docent was helpful for other visitors, and Margarita helped me into weaving on the demonstration loom.  The machete was so smooth, and effective with its handle but I kept wanting to use it blade-down (wrong way!).  Margarita also helped me get used to the loom’s rigid heddle, and then also wove a flower motif with me strapped-in.

Irieknit and backstrap weavers Crispina and Margarita Navarro Gomez

Crispina had just finished weaving her band with fine threads.  As soon as she threw the last pick, she set about braiding the first ends.  It was a truly beautiful band, and she just continued straight into the next step while Margarita worked with me.

Mexican serape classic-period Saltillo style ROM exhibition

Man’s serape, mid-19th century Saltillo-style

There are so many beautiful backstrap-woven pieces on display, and many are natural dyed as well.

Eagle motif handspun cotton huipil Mazatec culture

Mazatec culture handspun cotton huipil

The main design motif of this huipil (1875 – 1899) is embroidered on the tabby & gauze handspun cotton fabric.  The exhibit says this strong eagle resting on nopal (Opuntia cacti) motif represents the founding of Aztec culture in post-revolution Mexico.

Mexican handwoven silk warp ikat rebozo

Silk warp ikat rebozo (shawl), Mexico

The exhibit is in the Patricia Harris Gallery of Textiles & Costume on level 4 of the new wing.  I’d love to go for another visit, and gain more understanding.

Viva Mexico Royal Ontario Museum exhibition backstrap woven belts

Backstrap woven belts, Mexico

A few more pictures are up in my Flickr album, and I recommend it for anyone who is interested in Mexico’s material culture, and innovative textile production, generally.

Mexican embroidered silk cotton rebozo 18th century Royal Ontario Museum exhibit

Embroidered rebozo (shawl) with 6-point fringe, 1775 – 1800

At last, the loom was warped

Sometimes the best obligations are those we set for ourselves.  The ice-breaker into weaving again was a table runner for our front hall.

Blue Faced Leicester wool handspun yarn by irieknit

BFL loom fodder from dyed top

This was approximately 502 yards (1,004 yards per pound) of BFL from top that Waterloo Wools dyed as ‘Holly and Ivy’.  It was a quick spin in mid-September on the antique Nova Scotia McDonald wheel, and plied on my Watson Martha also in double-drive.

Weaving wool overshot table runner with handspun pattern weft on Schacht Mighty Wolf loom

Elizabeth-Jane’s design; my handspun yarn

The warp & tabby weft are Harrisville’s #9 evergreen in Shetland.  It is 1,800 yards per pound, and I used a 15 epi sett estimating for plain weave.  The pattern is in Marguerite Davison’s “A Handweaver’s Pattern Book,” p. 120 I.  We had a flip-through, and when N strongly preferred this Elizabeth-Jane’s design, I got to figure things out.

Finished handwoven wool table runner by irieknit in overshot design

Washed! Circles on the flip-side

You’ll have to take my word for it due to poor lighting at the moment – the hemmed, and pressed runner is now rocking our hall’s vintage Singer sewing machine.  Holiday cheer is unlocked!

It was 15″ in the reed, and with my wet finishing is fulled to 13″ width and 46″ length.  The hem’s weft was a flourish of handspun that was already on a bobbin.

Cones of wool weaving yarn

Future weavy plans

These cones of mill-end yarn arrived, yesterday.  With lots of holiday & new baby knitting ahead, I also get to look forward to keeping my Mighty Wolf open for business!

 


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Wensleydale Wednesday, and TKK featured for spinners

While in progress this Wensleydale commercial top has been very mobile.  The ‘Hello Sunshine’ colourway by Spunky Eclectic blurring on my Jenkins Turkish Delight spindle got many conversations going as it went from near to as far as New York city this summer.

Spinning Wensleydale top on Jenkins Turkish Delight in carob wood

at Stage 19, 2015 Spindlers Tour de Fleece

The singles were all drafted from the fold of the long Wensleydale wool staple.  This breed has locks that are as long as 7 – 12″, and I wanted the loft from folding as well as some texture.

Wensleydale wool handspun singles cop on Jenkins Turkish Delight spindle Tour de Fleece 2015

Full – at stage 20, Spindlers 2015 Tour de Fleece

The carob wood of the 28g Turkish Delight spindle brought out the fibre’s luster so well!

Looks aside, this became a slow spin over 2 years of 4 ounces of Wensleydale wool top.  There was no rush but 3 factors combined to slow it down somewhat.

  1. Minor but there was kemp in the top.  It was like an itch to remove every last stray opaque fibre.
  2. Over time the braid started to full (like matting; a step before felt) together.  This meant lots of tugging before the kemp hunt.
  3. Spinning from the fold took getting used to, and this is a slower spindle that also has an upper knob to navigate around.

In short, I had to be in the mood.  First singles were wound-off on December 23, 2013, and last were spun on August 3, 2015.

Handspun Wensleydale singles sample by irieknit

Ruling a spinning thought out

The upside of extended spin time is that you have a chance to consider your options.  In this new world of me actually sampling, I decided that it had more twist than I would like as a finished singles yarn.

It also became a teaching material for my Learn to Spin on a Drop Spindle students this fall at the Art Gallery of Burlington.

Handspun Wensleydale yarn by irieknit

Wensleydale Wednesday!

Now that my class is completed we have approximately 450 yards of 2-ply Wensleydale handspun in my stash.  The operating presumption is that I will weave something small with this yarn.

Ball of Cushendale Woolen Mills Mohair boucle yarn

Cushendale Woolen Mills Mohair yarn

If possible, I would love to use it together with this 200 yards of Cushendale bouclé yarn.  Such a delightful gift from my cousin – she visited the mill in Ireland, and thought of me!  Other projects are ahead in the loom’s queue but this is the start of a plan.

Signal boost!

It has been wonderful to see some of my blog posts included over successive editions of Hand Spinning News.  The story of E’s project using Babydoll Southdown wool is featured in the News & Events section of the latest November 2015 edition of Hand Spinning News.

Welcome to new visitors, and as always thank you to Shiela Dixon for your recognition.  I hope that you continue to enjoy the blog!

A small note 

In writing about E’s work in a fully public TKK post, I struggled with a balance for sharing & her privacy.  E did all of this in Grade 8 at age 14, and within a small local school.  As far as I know there was no outside publicity.  In taking, and later working with the images, I wanted to be careful not to identify E, the school or the other kids in her grade.   It is after all, a small world.

The privacy tangle, being a guest of her proud family, and my own joy at seeing her hard work positively shine all resulted in the single long shot for the post.

On the back-end, I happily do have a new light camera model as of last weekend.  It will make my editing life easier for events like this with 14.2 more megapixels than the older mode.

November oncidium orchid blooming in morning light

With thanks for everyone who gave feedback on E’s project & the great Babydoll Southdown wool adventure!

(edit for name spelling)


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Adventures with Babydoll Southdown wool in our fibreshed

Just a couple of days after my last blog post, I headed out to the Woodstock Fleece Festival.  It was a day of bustling spinners’ mayhem, and this post is brought to you by a happy co-incidence.

Antique flax saxony with flyer out for repair

We were bound to run into each other again at Wheelwright’s booth.  My reason:  an antique flyer in need of repair.  Hers:  wheels!

The spark for this adventure is a local credit to adolescents everywhere, E.  Her grade 8 school project led us to connect with shepherd Robert I’Anson & his wonderful pure-bred Olde English Babydoll Southdown flock.  Other handspinners have now found Bob’s fleeces thanks to E’s project.

We first met in September 2014 when E came to a guild meeting with her Mom.  She presented so impressively about her aims to prep, spin & dye local wool for her project with knits.  E was a novice spinner, and her enthusiasm was infectious.  I soon agreed to stand as mentor if they were comfortable to go ahead.  We did!

This experience was a real privilege, and ever since we met-up again at Wheelwright’s festival booth in October, I have wanted to really share it with you at long last.

Sourcing the Wool

With generous help from my friend, Sasha of Sheepspot, we quickly got in touch with Robert I’Anson who still had fleeces from his 2014 clip.

Since to quote Sasha the only thing that she loves more than wool is the ocean, I was certain that we were in good hands.

Olde English Babydoll Southdown ewes Louth Ontario Robert l'Anson

Bob’s Babydoll Southdown ewes, and Jacqueline the brown lamb

The ewes were in their front paddock.  We gushed at the cute.

Shepherd from Louth Ontario, Robert I'Anson and Belgian Shepherd Jack

Bob I’Anson and Jack

Bob not only welcomed our teaching visit to his farm in Louth, Ontario but also donated a ram’s white fleece for E’s project.

Olde English Babydoll Southdown skirted raw wool fleece Laurie's Little Lambs

Raw Babydoll Southdown ram’s fleece for E

We chose this fleece after looking at a few.  All were sound, and it was a fun decision.  We also got to learn more about the sheep, farm, and Bob’s approach to breeding.

Olde English Babydoll Southdown sheep Louth Ontario Laurie's Little Lambs

Keeping their distance, adorably.

On that high note we turned to cleaning E’s wool

Guess who approved of our plan to clean the wool in his presence?

Melvin and drying Babydoll Southdown Ontario wool fleece

How to build a better pet crate: add wet wool roof

The scouring stage was intense on instruction as we worked on spinning through the soaking sessions.  It was a good, long day. E really picked-up on everything & then did her homework.

It was also my first high-lanolin fleece.  Even though the water ran clear after 2 baths with original Dawn detergent, the dry wool felt tacky.  That was solved by simply re-washing but I will now use power scour in the first place!

Cleaned bag of Ontario Babydoll Southdown wool

Have you any wool?

E continued to work on other fibres for her display, and then did an amazing job on fibre preparation & spinning of the Babydoll Southdown over her winter break.

Thanks also to Deb Robson who gave her quick permission to share her Fiber Exploration Record Card with E in the project. It sets out key characteristics, and after taking a breed study workshop with Deb 3 years ago, I use the card for my own learning/ fibre preparation.

Natural dyed Polwarth handspun wool with avocado by irieknit

Avocado dye experiment

As soon as E saw my 2012 avocado dye experiment on Polwarth she determined this was her favorite.  We worked from there, and she chose a water-only soak extraction method for her yarn.

Grade 8 presentation in Ontario on fleece preparation, spinning, dyeing and knitting

E’s spinning project display

There are no words.  I was just blown away by E’s display & presentation – she received full marks and deserved applause!

My personal favourite part was her answer to the FAQ an attendee had to ask.  In complete dignity & more tact than I will ever muster she asserted,

Well, I think that my spinning is a much better quality than what you can get at Walmart because they use factories, and I made mine by hand.

Babydoll Southdown lamb Laurie's Little Lambs Louth Ontario farm

Webster, the youngest Babydoll Southdown lamb this year

The Babydoll Southdowns are still growing wool, and Bob’s flock is doing well.  I visited with N at the end of July, and have cleaned an ewe’s fleece.  It is astonishing, and you will hear about it!

Yes, I gained friendships beyond E’s school presentation this March, a new wool discovery, and confidence in teaching.  That’s all been fabulous but the best part is being there to see a young spinner’s imagination carry her into our local fibreshed, and onward.

edit to correct Webster’s name.


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August of hitting a stride

This is not typically a fabulous month but the past 4 or so weeks have exceeded all August expectations.

Central park reservoir panoramic view New York skyline

Attribution & laurels: N

We celebrated Emancipation Day, August 1st with family.  There were a lot of new nephew cuddles, and good times with his parents.  We stayed with wonderful friends.  Their windowsill shows all of my travel spinning of Wensleydale.

The people of New York were rather taken-in by my carob Turkish Delight spindle by Jenkins Woodworking.

Spinning dyed Wensleydale top on Jenkins Delight Turkish spindle carob wood

Sweetening the travel pot

There was also quality time aka aeroplane knitting with a baby gift for our this-week born new cousin in Toronto.

Handknit baby gift Gidday Baby Cardigan and beanie in Sirdar Baby Bamboo

Gidday cardigan set for baby G!

This cardigan is Gidday Baby pattern by Georgie Hallam.  Can I just whisper, “Gidday pattern!”  This was a July 29 – August 9th pleasure of knitting with stashed Sirdar Baby Bamboo yarn.

Yoke and buttons on handknit Gidday Baby cardigan by irieknit

This is an awfully sweet yoke.  My main colour is #122 with the contrast in cream.  The hat was just as fun to knit and is Louisa Harding’s striped beanie hat. My copy of her Natural Knits for Babies and Moms is much loved & heavily used.

But I digress.

Lox on a bagel with cream cheese

Attribution: N

We were well-fed, and soon got over for baby’s first museum visit.  The crowds!  It’s hard meeting an infant’s needs in those crowds but our new parents did a fine job, and he was pretty cheerful.

American Museum of Natural History Pleistocene Colossochelys prehistoric turtle

At my special request, attribution: N

Search engine diving shows this dinosaur as Colossochelys the Pleistocene turtle but I am not sure in retrospect.  We were at the American Museum of Natural History.

Sunset at Riverside Park Manhattan NY

Riverside Park, Manhattan Attribution: N

It was such a short but packed trip.  I came home with craft books from the Strand Bookstore, a new-to-me set of Meck Russian paddle combs, and wheels that are now on my Mighty Wolf loom.  The best part was having such a blast welcoming nephew, F.  I think he likes me.

The Learning Curve – bead embellishment

Before & after our trip, I participated in a 4-part guild workshop on bead embroidery with William Hodge of Armure Studios.

Bead embroidery workshop samplers by irieknit

Carried away? Bead embroidery

It felt like jumping back into the childhood sandbox of embroidery with crazy bling.  Fun but also greedy for time to do even these small amounts.  I will never begrudge a handmade bead embroidery work its price again.  It’s joyous but where does the time go?

Detail of bead embroidery sampler by irieknit

Well, I did hear, “Start simply,” but couldn’t stop.

Each participant had her own approach.  Mine was to follow the instruction about total bead cover and the ’80s patterned fabric.

The faux pearl bead to the right has special comedic value.  It, ahem, moves of its own volition.

William shared many pieces in his personal collection from different cultures as well as his own work.  It was fabulous, and I was glad for the breaks between workshop parts.

It was just perfect having the Naked Craft exhibition on at the AGB while taking this workshop.  The bead embroidery pieces by contemporary artists are astonishingly beautiful but I also saw the raw commitment – eye-strain, materials, design, time.

Finishing my thoughts

With thanks to PAKnitWit who ran the aptly named ‘Shawl for All’ knitalong, I used all 756 yards of my superwash merino dyed by Southern Cross Fibres.

Handknit Diminishing Returns shawl in handspun superwash merino yarn by irieknit

Diminishing Returns Shawl in my handspun yarn

This was 8 of 9 designed sections in Sarah’s Diminishing Returns triangle shawl.  I used 3.5 mm needles, and loved each second of this relaxed me-knit.

Stockinette and garter stitch knitting with gradient handspun yarn

It’s an elegant & simple concept.  You move through stockinette & garter stitch blocks that reverse roles.  Just right for a strong gradient like my Sugar & Spice 2-ply yarn but the design is very versatile.  I hope that others will use handspun yarn to make this pattern too.

The knitter gets to keep a lid on the purl stitches as the triangle grows, which I appreciate.  The top-down triangle adds 4 stitches every other row, and that grows quickly!

Wearing Diminishing Returns triangle shawl in handspun yarn by irieknit

Treating myself to the handspun goodness

Also appreciated? The length on my arm as the shawl crosses.  It’s just how I like a shawl.

Hug of handspun Diminishing Returns triangle shawl by irieknit

Squooshy is also good

The home for this knit along is the Knit Wit group on Ravelry.  We had a good lead time for blocking & also taking these pics.  As I told the group, this one will see lots of wear in the cooler weather.

Sock knitting by irieknit and Turtlepurl Live Long and Prosper yarn

Spock sock!

New socks of unusual size (9″ circumference) are off the needles!  As soon as I saw Turtlepurl’s post for her Live Long & Prosper in this self-striping pattern, I had to get it for N.  It is a 75% superwash merino/ 25% nylon blend, and I used 2.25 mm double-pointed needles.

Handknit men's socks by irieknit in Turtlepurl Live Long and Prosper yarn

Spock socks in the wild

He is smiling in this picture, and approves of the finished socks.

Back view of handknit men's socks with Turtlepurl Live Long & Prosper yarn

The columns of stitches are just paired slip stitches passed over knit front & backs.  Easy to work, and perfect for other plane trips this spring.

Knitted baby gift Telemark pullover in Sirdar Baby Bamboo

Belated baby gift!

The last finished thought is this version of a Telemark 2.0 pullover that I made for our baby cousin in Montreal.  It was a nail-biting use of more from my Sirdar Baby Bamboo yarn stash.

Handknit baby Telemark pullover by irieknit

Is the placket reading as weird to you as it is to me?  It might be a comprehension problem on my part but I did try to follow the instructions as written there.  It has been on its way this week, and I hope they like it.

Lark Turkish-style spindle by Jenkins Woodworking spinning by irieknit

A Jenkins Lark!

Spindles are on the front burner again.  Next month I will lead a guild workshop, and I am preparing the materials.  It’s a full 4-part introductory workshop, and we will go from first steps to plied yarn.  It’s my first formal teaching, and I am so excited.

In my down-time, I can play with this tulipwood Lark spindle by Jenkins Woodworking.  Luckily, I missed 2 others for sale last week because this was offered in Ontario.  Quick flight, no foreign exchange issues, and I love the tulipwood!

The Delight in the travel collage above is 5g heavier at 28 g.  Its arms sit low on the shaft (the Lark is mid-shaft), and are approximately 2 cm wide x 8.75 cm long.  The Lark’s arms are a slim 1.25 cm wide x 9.5 cm long.  The slighter profile is great for winding-on, and will hold that much more of a cop is my guess.