An indigo dyed handspun cardigan

Warming my nights: an indigo dyed handspun cardigan knit

Currently on my needles with enough yarn for a second long sleeve is the handspun Polwarth 2-ply wool from last summer’s indigo dye fructose vat.

The knit’s pattern is the popular 2012 Vodka Lemonade by BabyCocktails, Thea Coleman.  Needle keeper shown is by @knitspinquilt.

Substituting a handspun yarn

Knitters have recently been discussing the financial accessibility of new sweater designs on social media, blog posts.  For a bunch of reasons that I do not plan to unpack the discussion gave a slight nod to spinning as an option, and then moved right along.

Premise of this post:  spinning yarn for garments is an option.  Yes, even slightly pear-shaped yarn.

November 2015, dreaming of a sweater quantity

It was a simple idea really.  In September 2014, a 1 lb bag of Polwarth combed top from a large commercial mill cost A$38.59 plus tax & mileage to/from The Fibre Garden in Jordan, Ontario.

Comfort spinning on Spinolution Mach 2

Earl, the Spinolution Mach 2 wheel was a good choice for my easy default worsted-style yarn but I ran into a mechanical issue of the drive wheel knocking the frame.

Sometimes Melvin appears as if from nowhere to see about his spinner

Customer service was responsive.  I was able to finish through to almost 1,400 yards of 2-ply 100% Polwarth wool but the wheel action changed.  Time frame is August 2015 – December 2016.

Evaluating the handspun yarn

In addition to a big wheel action change, 2016 was my watershed year.  The last 7 months were a special challenge.  As a result, skeins 1 – 3 are finer weight (i.e. higher grist) than 4 & 5.

What the industrial yarn complex is very good at is giving consistent grist even between lots.  And then there is my handspun sweater quantity (SQ) that we can follow Diane Varney & call a “coordinated yarn.”  Her galley in “Spinning Designer Yarns”, 2003, p. 22 states:

Coordinated yarns come from spinning wheels not mills.

The text says how I ultimately resolved my issue:

Spin different sizes of yarn to be used in different parts of a garment, or in coordinating separates.  For a bulky sweater, a lighter yarn may provide a more supple and comfortable ribbing.

The all-in number of 1,400 yards per pound is on the light-weight end of a DK mill-spun yarn.  For a chart of yarn weights, grists, knit uses scroll through “Calculating Fibre Quantities for Spinning” by Felicia Lo here.

How a plan solidifies – Indigo!

The yarn found its voice last summer when the Botanical Colors 1-2-3 indigo vat recipe (adapted from Michel Garcia) not only dyed all of my Orlando mohair bouclé but still had legs.

Heya, Polwarth!

Seriously thrilling first indigo dye day here

This was when I settled the question – there would be no separation; I had an indigo handspun SQ for sure.

You see a shift in grist – what does this mean for a knitted garment?

When hoping to knit with any non-standard yarn, I start by looking for a suitable pattern that will flex.  As June Hemmons Hiat writes in Chapter 23 on Stitch Gauge:

Some projects require greater precision for a good fit, while with others you can take a more relaxed approach… (“The Principles of Knitting – Methods and Techniques of Hand Knitting”, 2012, p. 455)

The Vodka Lemonade cardigan has helpful notes on yarn character, and shouts ‘a more relaxed approach’.  Over time, I have enjoyed knitting patterns from designers who also spin well.  Even if the pattern itself features mill-spun, there is typically more attention paid to communicating about yarn choice.  If a project database is accessible, a quick search using “handspun yarn” can also round out the information, offer inspiration.  Many spinners work harder to shed light on the creative process in their notes.  Handspun garments are rarely featured FOs on selling pages but information gathers slowly in the database itself.

Here the mill-spun given as the design sample is 1,100 yards Zen Yarn Garden Serenity DK for a 38″ bust size with ¾ length sleeves.  Each skein is around 250 yards/ 100g or 1,100 yards per pound standard DK-weight.

With more handspun also with a higher grist, I have been able to extend the sleeve length (yes, winter is coming) & to knit the body straight with no waist shaping.  Polwarth is soft, has bounce & drape so is a good choice for a next-to-the-skin garment.

Gauge is a snapshot

Leaving the standard consistent grist market, I swatched a first (thinner) yarn.  The substitution stuck but one thing my snapshot swatch is not going to safely do for my knitting is where The Principles of Knitting advises next:

Information obtained from a swatch can also be used to calculate how much yarn you will need if you are designing something, or want to substitute a different yarn for the one called for in a pattern.

It’s possible to swatch within your handspun SQ.  I will leave that intensity for a heirloom knit (or still not!).

The pattern sample yarn has 10% cashmere & 90% merino adding plumpness to the stockinette fabric with US#5/ 3.75mm needles.  A suggested substitute that I know well is far less plump, drapey Elsebeth Lavold Silky Wool.  The handspun Polwarth stitches ease when washed, blocked.

The single swatch got gauge nicely down 2 needle sizes to 3.25 mm.  How I arranged the skeins was to use the lighter-weight yarn in the cardigan’s body, heavier-weight yarn for warm sleeves.

Getting real with the limits of my swatch, I like that this still-on-the-needles cardigan seems organically swingy & light.  We do still need to read the pattern well, and this is where I think Kate Atherley’s article “On Yarn Substitutions,” here, is helpful:

After all, there are lots of yarns that are called Worsted, but there’s a lot of variance in how thick they are, and how they knit up. Same for Fingering, DK, etc. A yarn weight name is a category, it’s not precise enough on its own for yarn selection. (And those category numbers? Same thing – they get you in the right section of the yarn shop, that’s it! They’re ranges.) The stockinette gauge is what’s used on the yarn label, so that’s how you can identify more precisely what to buy.

The spinner is just only reading from that industrial wool complex & not still within it.  They take the range, gauge information & still keep an eye out for variance within the handspun lot.

What happened?  At the top of the sleeve, I weighed 87 g for each sleeve & measured as I went.  Now at the cuff of sleeve 1, around 48 g is used.  The stitch gauge is constant.  I marked each sleeve increase in case I needed to rip back.

For Designers, Technical Editors

After many sweater pattern searches (and flops) for other handspun in my stash, I ask that you consider adding these points in your pattern landing space.  If you are able to contribute longer articles, interviews, texts there is a need for spotlights on the creative process details as well.

1. Materials specifications, including put-up & fibre content.  Where you know yarn structure this would be very helpful as well, e.g. conventional plied yarns (single or how many?), chainette, cable, core-spun, etc.  Yarn companies as a general rule give scanty clues about the structure of their bases.  Journalism, texts that focus on yarn manufacturing trends seem to be on the decline.  Your insider knowledge as a design professional is valuable.
2. Yarn notes, texture suggestions.  Kate Atherley articulates this point very well in On Yarn Substitutions, linked above.
3. Yardage requirements within the size range.  My last pattern purchase is Heverly Cardigan by Julia Farwell-Clay.  It is a one-yarn fingering-weight design.  The landing page broke out yardage per size, and this was critical to my purchase.  The last 350 yard yarn package spans 3 sizes, including mine in the middle!  Yarn combinations are especially difficult to eyeball when use shifts through a yoke, shawl construction and for borders.

Please understand that gauge is a limited tool at best when substituting off-market yarns because sometimes Life Happens, and also because spinners can do wonderful things with materials not available to conventional knitters.

Professionals have voiced strong opinions about customer skills (lack thereof), hand-holding.  However, spinners who knit are expanding the tent beyond the mills, are able to add value themselves.  Adding information diversifies your customer base, and is not hand-holding.  Selma Miriam’s 1989 experience speaks to the craft’s possibilities:

She purchased handspun yarns for the first time when she couldn’t find soft, fine commercial yarns with which to make lace shawls and scarves, and then almost immediately decided that she had to learn to spin herself.  “I had never knit with yarn that felt so good, alive, and beautiful in my hands,” she recalls.  With a year she had… purchased a wheel and taught herself to use it… (“America Knits“, Melanie Falick, 1996, p. 50)

Handspun garments are sadly not always well-regarded even within spinning communities.  Any that I have made have aged well, drawn me forward.  A stalled project is out and in search of a solution as I type.  These are barriers that can be eased, attitudes that can shift.

Indigo has my attention now

With luck, I will have an indigo fructose vat from The Yarn Tree’s kit to start new exploration & keep that puppy fed.

Summer Shetland fleece, and afterword

At the end of last September, I washed a beautiful Shetland ewe fleece.  It is from Willow Farm, and was my first (run-don’t-walk) purchase at the 2018 Woodstock Fleece Festival.

Melly cat approves of my initiative and inches closer.

Willow Farm is a great spinner’s flock.  After the joys of working with Shepherdess Jocelyn’s Romney ram fleece 10 years ago, I also loved an Icelandic ewe’s raw wool.  They do also carry mill-prep but these are lovely fleeces too.

We like the drying part too

Taking a break:  hand cards

This week I was able to admit something to myself.  The other fibre prep in progress was actually not.  With draining days, busy house, etc., I was not moving well on the Olde English Babydoll Southdown locks.

This project was last featured on TKK here.  It was going along but in short bursts.

From Olivia’s Babydoll Southdown, January 2020

The devil is in the decision fatigue.

Flick locks ⇒ hand cards ⇒ rolags ⇒ bring out the antique wheel + spinning chair from a corner ⇒ spin happy ⇒ wind-off (repeat) ⇒ {major gap} ply; cable-ply.

Melvin saw the {major gap} part as magical.  We had words (again), and I had to confess it was maybe too slow now at around 262 yards.

Sometimes Melvin makes a good point.

Lovely cabled yarn but that’s intense even for me.

Luckily, I had fairly recently given myself the gift of a new spinning space in the house.  That’s key.

Elbow room if not blissfully quiet

The plus for everyone else is less spinning equipment in a room that we all use the most.  More importantly, I am using the space!

Enter the pillowcase of Shetland locks

As the fog of What to Do in Ty’s quiet time lifted this Monday, I figured out a way to leverage new space + enjoy the Shetland fleece responsibly.

Aha! Meck peasant combs!

A plant stand is re-purposed for the oh so dusty peasant (Russian style paddle) combs by John A. Meck.  There is not much VM, and I am not using the flicker at all.

Now, I can stop typing so much, and show the happy outcome of this week as it happened:

Comb charged twice = 4 lengths of Shetland top

A quick pivot to the Watson Martha spinning wheel, and then:

As short as quiet time and sweet

The 2-ply sample shows the variation of the prep & has bounce.

Sweet!

This seems like a good plan.  With 4 lengths of top in each ply, yield is approx 39 yards.

Afterword on the last post

Shortly after pressing publish on Friday, I saw more about the Ravelry rebrand, site accessibility.

If you are farther behind these discussions, Ravelry designer @ktb38 has given her/their side of Cassidy’s now deleted tweet on Instagram, Twitter.  I am not following closely but am engaged. 

Secondly, the established searchable, open forum ‘For the Love of Ravelry’ listed in the FAQs as “the place to ask or comment about site information updates and spread love,” is now entirely (and tersely) closed to this topic.  Users are directed to a private in-site email channel. 

Hibiscus is thriving

The upshot for TKK is that I will aim to give more detail here as needed.  Posts may get swamped again – in fact, they probably will – but an effort will be made to not assume the audience is able to access this user-driven resource. 

If credit is due then until solutions are found, I will add content warnings for links, etc. going forward.   

 

Stacks in life pandemic

Huge stretch of a gap between posts, and this in the 10th anniversary, Dear Blog.  In winter as we started to see the benefit of folding new supports in with the old, I opened a first IG account.  This is how I first discovered the story of Ravelry having a new look.

We had been in the thick of it as I last posted, and at the end of November we also added a puppy named Spark to our family.  Spark is a cross called a Double Doodle, and he is almost 11 months old now.  The growth spurts are a running joke and who knows how much growing into his paws we are still looking at?

A sometimes vocal stack of joy

Spark has been to a first level of training, and some fun nights of puppy social learning.  He is Ty’s first dog, and everyone is thrilled to see the fun they get up to.  This is the sparkliest Sparky (many more nick-names are in rotation but I will spare you), very wet & challenging winter and all.

Meet Spark. He likes to retrieve things.

Chewing has gone from teething to serious business.  He is after all Labradoodle x Goldendoodle.  One stack of trouble was how put out Mel cat truly was by this invasion.  They now get along but there are sore points… What do you mean this pup gets all the treats?  Wait, why is that puss on the counter/dining table/ soft chewable furniture?

Baby Spark back in January when the leash was in one piece

In general, Spark is enthusiastic about moving humans towards water sources.  He also has a passion for dandelions, and other growing things flora and/or fauna.  I soon worked out that we both need for me to comb his double coat & that should always end in chest scritches.

He is in short a joy.  Not everyone gets that would be self-care but for us it truly has been through the pandemic.  You kind-of need to walk this one.

A Spark that likes to make a splash back & forth

As life got more complex including for raw emotion, I had scaled-back my online volunteer work, social media.  Adding a new account was a compromise and has helped me to post on a lower key, re-connect.

Stack with misgivings, books of new learning

In May, I felt ready to resume team work in a Ravelry group.  It was good to be back except a family COVID-19 illness and other issues came up, de-railed.

It is now over a month since Ravelry rolled-out their changes to the site, branding.  I have listened from outside of the site, engaged as I could saying that accessibility matters.

School’s out, let’s weave!

I also opened my loom for the first time in 6 months after the hills & valleys that were Grade 2 through in-school then distance learning.  This is Deb Essen’s colour & weave gamp in 3/2 mercerized cotton.

While listening, transitioning our 8 year old, and getting back to organizing for myself too, I have thought a lot about inclusion.  Even well-meaning neurotypical adults (therapy gatekeepers included) can misunderstand the true impact of policies, the systems they introduce or maintain.  Learning has come through reading, always reading and podcasts around our constellation of needs.  It’s a big part of how I deal.

Yesterday, I saw a screenshot of a tweet for the first time.  The now-deleted post is by Ravelry co-owner, Cassidy.  It exists; I am not linking.  The post refers to an advocate/ally for accessibility.  This unnamed individual is essentially called a multiple flier with the lies, and that this is a best-ever July in the site’s pattern sales gets asserted.  The assertion is absent from today’s Ravelry.com updates post.

The unnamed advocate/ally is presumably lobbying for post-update communication & change to assist those suffering true impact now or later.  This is how I read some raising pattern sales on Twitter although IG is the focus of this deleted tweet.  No decision-maker in a system takes kindly to a lay person checking, balancing for pat accommodations rolled-out.  It would be helpful if the phases were defined somehow in non-technical language or scheduled.  As is a month in, the process seems opaque.

Not matching sock toes is okay too

To be clear, this blog, TKK has remained a one woman amateur project.  Still no affiliates, paid advertising, agreements or tip jars here or elsewhere.  My Ravelry profile does link to new updates as does WordPress, and I manually post a shortlink reliably via single tweet.  There is a small group of readers who navigate through Ravlery.  The benefits as a user, blogger are real but as yet not monetized, and I am 1 in 9 million users.  The Ravelry team is appreciated up to this point but not personally known to me.

This new, fairly consuming checks & balances work of mine was in a non-commercial setting with a group of professionals crossing systems.  It was met with snide comments, we were “crazy” to get a puppy, and even more cutting remarks followed.  It is upsetting on the receiving end because inaction really does suck in crisis with power not in your favour.  One can always walk, right?  Well, often with an impact there too.

The work is hard, and the book that explained edge states, practical middle ways is “Standing at the Edge” by Joan Halifax.

Backlash, account scrubbing by Cassidy are frankly surprising.  As one Rav Pro account holder that I follow said simply, “WOW.”  The messaging does not inspire confidence about important calls for post-update changes.  That a majority of users who find the site functional are carrying-on touches none of the true impact on those excluded for various reasons.  In addition, today’s update forced me to log into the site – others were in the blog.  I continue to hope that changes are implemented.

Stack of plans, all-ears listening

First fleece; first spindle

It’s hard to see what you haven’t seen & that you play a part in making that better.  ⇒ Bertice Berry, Ph.D., July 24, 2020, IGtv

What I have seen of othering, intersectionality was not obvious to me in my personal work even 10 months ago.  I may have found the texts as a good reader far from most of my close supports but would I have followed footnotes?  No, that was hard to see as Dr. Berry notes.

The pressures as a caregiver during this pandemic have also shaped what I am able to see.  How I am able to integrate and if there are no deeper complications where I play the part will come.

Socks-to-be:  Southdown/Silk spun on my spindles

Accepting that human variations exist & working to remove barriers is both necessary, easier said than done.

 

The practical Tour de Fleece, a plan

We are fresh off a happy-go-lucky Canada Day weekend, and thoughts are finally coming together for the Brussels Grand Départ.

Summer sidekick: captive ring Peruvian pushka

The Tour de Fleece is a great container for new approaches to stash & tool.  This year Le Tour rides from this Saturday, July 6th – 28th, and celebrates its first century.

In terms of a plan, I have been fairly stuck.  Are you?  Clearing spins was supposed to help, and the shiny new Female Heroes Club braid did but I have still been a little lost and a lot tired.  Then early yesterday in a bored moment of waiting for N, I put this new spin together.  It is just a scrap of mohair top and an under-used captive-ring pushka from Peru.

In spite of greedy mosquitoes we enjoyed this stop

After our morning walk, I got spinning time with the gentle chak-chak of the ring, and I am moving through the scrap of mohair.  This spindle has a history of 2 great summery parenting spins, and now I am taking it on the Tour either with other scraps or to continue this first undyed Corriedale wool top project.

A very nice challenge spin aeons ago

This is a September 2016 spin that I completed quickly while helping with a Spindlers’ group monthly challenge and then folded on.

Sweet Corriedale balance

Folded so heavily that I did not share this 50 g of fibre turned approx. 226 yards of 2-ply delight.  It was an intense time at home, and I can look back now and admire that skein all the more knowing what I had on my plate as it were.

Last of my Ent Batts!

The next & last spin with these spindles was of beautifully hand-carded Ent Batts “Coffee & Cream” through summer 2017.

Coffee & Cream skeins

The 2-ply skeins measure 258 yards, and are still in stash.  This was the last in an incredible run of batt sets that are no longer in production but brought much joy across different spindles.  This ‘Coffee & Cream’ is a blend of Corriedale & Merino wools with soy-silk.

The whimsy factor

Each TdF can use a touch of whimsy, and mine will be thanks to the long percolating flax thoughts.

Published by Crowing Hen Farm

Helping to Kickstart Raven Ranson’s book, “Homegrown Linen – transforming flaxseed into fibre,” did not disappoint when I had to place the single flax plant on Canada Day.

On a whim, “Hello, flax plant.”

It is tucked behind some rampantly self-seeding Black-eyed Susans and has kept on blooming each morning.  I noted the ritual involved in preparing the soil for fibre flax, and had at our very own strong clay with a view to creating this new-to-me word tilth.

We may not be in perfect tilth but I did break every clod, remove all of the stones, give it the best of the compost bin, etc.  It is at the very least encouraged to be showy for the next few weeks.

With no flax preparation tools, growing won’t be my whimsy focus anytime soon but this fibre flax for local linen is where I’d love to land.

Actual beautiful fibre flax

These 2 stricks of line flax are from the Black Cat Farmstead.  It was grown in Stockholm, WI at both their property & A to Z Produce and Bakery.  I was happy to see that it was processed at the Taproot Fibre Lab, Port Williams, Nova Scotia.

There are still ifs involved in spinning flax but it is on my bucket list.  We are not just heading from a season of stress but into a slew of appointments that will have their own challenges.  A little whimsy won’t hurt.

The rub is having the energy to spin line flax at night, moving everything for the morning.  It is easier now to have wheels out in our living space but narrower project rotation has evolved for a reason.  It may just ultimately be a nod to whimsy but these are the thoughts!

Happy planning!

 

Weaving the weaving in – Swedish Anna cotton towels

Woven with love, hemmed in the fullness of time

The simple idea to keep weaving after the handspun scarf brought the second Joanne Hall designed kit off my shelf & onto the Mighty Wolf’s beams.  One is in our kitchen, and these 2 are shipped to loved ones.

For Keisha and she says that it matches their kitchen

This kit was expertly wound, tied and had a 3×3 cross that cannot be blamed for my threading error in a mid-yellow stripe!  Herringbone over 12 threads, and at 24 ends per inch.

At the relaxed stage of a walk

Through spring, and now the beginning of summer, I went in for longer-than-usual morning walks.  Life this school year took a very troubling turn, and the walks are after Ty starts his day; while I need to order mine in some peace.

Best light

One right step after another, I began to see the days differently, choose new ways, and wonder why I ever rushed home via the shortcut in the first place.

Minerva Masham awaits her end use

The spindles’ WIP jar is noticeably clearer now but knits have fallen by the wayside.  These are heavy topics that I feel in my body – something had to give.

Ty’s first loom dressed with all the colours!

As I set about weaving a retirement gift for Mom (only about 3 design rounds with her!) we have a new weaver in the house.  This is a Harrisville Designs Potholder Loom, and Ty is closing his eyes to choose a loop for each pick to meet his well thought-out warp.

Flax for the garden

A gem from the local farmer’s market, yesterday:  flax.  If only for the beautiful blooms but I am going to enjoy every second with this single plant!

In keeping with those walks, I am trying new ways of doing things.  It is a watershed year.  The good news is that support is coming.  One professional told me last week that I am ahead of others at the same point.  I scoffed and then took it back, thanking her for a compliment.

The Tour de Fleece is coming up now, and I am riding with Team Spindlers.  It is good to participate again and I will be going gently with myself.

Elizabeth Bennet, I have plans for you

The spindle plying work is all well and good but my Tabachek Holly spindle really does need to see some Female Heroes club love, don’t you think?  The label has the most wonderful run of words together: merino/alpaca/camel/silk.

This and WIPs will round out my Tour plans.  The wheels are also busy but one team is all I can manage this summer.

Scissors meet handspun – a twill scarf

The year is unfolding in tough & unexpected ways.  As we work hard to adjust, meet these challenges, I have been pressed out of regular posting as just one result.  By Eastertime, I wanted to pivot and weave something beautiful.

Out came Sarah Jordan’s stunning handspun merino/tencel that I won from her summer 2015 Shawl for All knit-along.

Prized! Handspun yarn by Sarah Jordan, PAKnitWit

Four years ago!  The KAL was hosted in Sarah’s Ravelry group, Knit/Wit Designs Fans and this was not just a happy prize but a real honour to have Sarah’s yarn.

Sarah’s yarn on its way to the loom

Close examining with a yarn wrap & Ashenhurst calculation led me to a sett of 16 ends per inch.  Sarah’s yarn is 3,154 yards per pound.  The plan was simple – to warp along plain weave lines for a finer (4,480 YPP) wool weft and weave a 3-shaft point twill structure.

An Easter improvement plan – threading Sarah’s yarn

There was enough to wind a 3-yard long warp, go 14.5″ wide in the reed, and proceed to sample wefts but carefully!

Can you see me smiling – scarf start!

The weft experiments in the header led me to the 2/16 light grey lambswool from WEBS.  The draft itself is from “Linen Heirlooms” by Constance Gallagher, p. 54 taken from a 19th century linen cloth.

Erica de Ruiter’s voice is what carried me through to using this draft, however:

Three-shaft twills have a better drape than plain weave but their structure is slightly tighter, and they have less take-up than four-shaft twills, thus producing a lighter weight fabric (see “Weaving on 3 Shafts“, page 5).

That was convincing enough for napkins let alone this handspun project, and I was well & sold on the idea.

Sheen, drape, pattern YES!

This below is the face of the cloth as I wove it.  After wet finishing the wool weft has receded to the reverse leaving the beautiful warp colourway dominant on one side.

Pattern shows as texture on right side with warp stripes

The fringe buckled when I finished the scarf before twisting.  Ty strongly suggested that I should not trim the ends.  They are scraggly but soft!

Weaving selfie smile

One small detail is that I threaded the full 12-end repeats, and this gave double shaft 1 ends that I wove in the same way (tromp as writ).  It modifies the twill to a little basket, and that probably has helped the drape.  It gave the weaving a good rhythm for this small motif.

Cutting Sarah’s yarn was harder than cutting mine but I am glad that I braved the process!

Inn on the Twenty, Jordan, Ontario

Weekend before last, N & Ty took me to visit the Fibre Garden in Jordan, Ontario.  After lunch at the local cafe, I fell in love with the Inn on the Twenty’s window boxes.

Spinning is getting a lot of love right now – the tv-room is crowded with my wheels & spindle projects are also moving forward.  The Falkland wool top that I got from the Fibre Garden is already improved with Logwood.  The kitchen is a crowded mess but purple!

Logwood dyed combed Falkland wool top

The darker purple fibre will hopefully play well with my recently (May 3rd) finished sequence of Blink from the 2019 Female Heroes Fiber Club + Paint It Black by Sheepy Time Knits.

Blink met Paint It Black for a sweater spin (3-ply)

Mandie’s club continues to delight.  That I also got to cook-up Logwood dye liquor is a wonderful bonus!

Early spring Forsythia

Spinning, weaving, even prep work is happening thanks to walks that I have started to take after dropping Ty off at school.  There’s been fatigue, crowded thoughts, and the walks help a treat.

Four-strand cable creation with Babydoll Southdown wool

Should my mojo for sharing ‘impossible yarn’ production that takes place around here, I would like to explain about this ongoing 4-strand cable idea from the Olde English Babydoll Southdown fleece.

For now we have these rolags that were a delight to spin against prevailing ideas that I hear being (wrongly, strongly & ever so cutely) offered to new spinners as our placeholder.

 

Handspun hello – big finishes

Fresh out of the blocking pins is my Lacymmetry shawl reveal.  It’s come through an antique flax wheel, madder dye bath, and knitting with 4 posts here on the Knit Knack, phew!

Lace selfie

Wireless headphones on during Ty’s ‘quiet time,’ and I was smiling along to Béla Fleck & Abigail Washburn’s music.  More solid FO pictures may yet happen but this was a busy weekend and now we are getting our roof replaced.

Warm but light BFL/silk knitted lace shawl

The dots of shine in the larger lace holes (double yarnovers) are the gold 8/2 Miyuki beads that I mentioned in my post last month.  In this design they are on 1 side of the asymmetrical triangle.

While still pinning the wet shawl on my mats, Ty came in, approved & added, “… it’s just like a pizza slice!”  Kiddo sees negative space as pattern!

The beads are the cheese, and the big holes are the pepperoni.

Ty, age 7

Project is forever to be a.k.a. irieknit’s Handspun Lacymmetry aka Pizza Slice shawl.

Creative licence says it’s a wearable pizza slice and who are we to argue?

In the last beading stitch, I used a ceramic starfish.  It is pink and sits to the upper left of this image.

Wet blocked for length

It took around 1.5 hours to secure the wet shawl in this hard blocking.  The triangle type is different from the pattern sample for 2 reasons.  First, I ran out of yarn with more than the recommended stitches remaining to the left of my marker.  Those vertical stripes changed things.  Second, I blocked for depth and did not match the pattern’s schematic.

Blocked to this obtuse type of triangle my Lacymmetry is a similar width at 61″ and much deeper at 49.5″ compared to Naomi Parkhurst’s sample.  I used all of my yarn at around 646 yards.  The pattern sample uses less at 610 yards.

A shimmer of gold beads, why not?

Working with one-of-a-kind handspun also changed the ‘pepperoni’ side’s edge.  In the grips of yarn chicken, I did a basic cast-off.  It is straight and not scalloped as a result.

Handknit love: a handspun baby gift

A little over a half of the Mother of Dragons BFL yarn (mid-September 2018 TKK post in link) is for a bouncing baby boy cousin.

Stormborn Baby Surprise Jacket in handspun BFL

With 3.5 mm needles, I had 5 stitches per 1″ of garter.  It was a big decision to use this yarn.  Knitting a gift is a personal dicey affair for me the knitter with millspun let alone handspun yarn.

All of the ideas were good here. Handspinning win!

The subtle shift of the blues in Mandie’s colourway that I spun as a 3-ply yarn more than convinced me that this was a great use of my yarn.  The new parents of baby E are thrilled but maybe on less geeky grounds!

Knits mostly but also some handwoven for babies/ kids has spanned the last decade here.  Responses are all over the map, and I found there is nothing for it but to make them when prompted to make.  Four days of avid knitting, more to get a card + cute HBC mitts for these US-based folks, packaging, pictures together and all for a baby you wish dearly to outgrow the jacket.  It’s bananas!

When the parents weren’t really staying in your circle anyway (e.g. last December kid’s wool hat effort, sigh) the heart of it is that a little person has value added in the hands to use for that time of their childhood.  If not lost & preserved for the memory of it as well.  That’s the point.  You hope for more but know it’s fleeting at best.

Zwartables wool gracing the Lark Turkish-style Jenkins spindle

Let go; make more!

 

 

 

Mid-winter morning and two types of lacework

Yesterday brought our 3rd winter storm in as many weeks.  It’s been a mess of snow days in already shorter school weeks that has knocked my craft life for six.

For several reasons Ty & I have needed time-off for more unstructured time together, however.  This boon has kept the cabin fever feeling from setting-in but I hope there are no other Colorado lows on the way!

Prettier than the car

The impact of 24-hour long winter storms hitting mid-week each week aside we are safe & warm through it all, so far.

Ice upon ice this morning

All-over lace shawl update

The Lacymmetry shawl only saw the inside of a project bag between early November and 3 Saturdays ago.

A growing Lacymmetry handspun shawl

The shawl transitions once 2/3 knitted to a ‘diamond’ lace motif that shows strongly with its double yarn-overs.  I paused at the transition point, and am now 7 repeats into this second, final section.

Starting at the 2nd of these repeats, I decided to add gold duracoated 8/2 Miyuki beads on a single return row in the ‘diamond’ lace motifs.

Forming diamond lace with beads hidden

The designer is Naomi Parkhurst of String Geekery, and I love how she advances the diamond lace 3 times evenly in each ‘diamond’ lace repeat.  The beads are highlighting this diagonal advance sequence.  It’s fun to knit!

How I place these beads is with a 0.6 mm metal crochet hook.  My handspun BFL/silk yarn is gently thin to thick, and it can be slower to fit the beads.  They are getting on there with persistence so far… fingers crossed?

Working with this madder orange dyed yarn is also a push back to the dyepots… hopefully soon!

Another kind of lace update – weaving Swedish Lace sampler

Shortly after my last TKK post, I did wet finish the table loom Swedish lace sampler.  I am not quite done gasping but can share the results.

Test of contrast weft in Swedish lace (weft floats)

This 1st section of the sampler is better than I expected while weaving.  That said, it is really much more appealing with white on the white warp.  They (every book & my workshop teacher) told me so!

Okay, traditional, I see why now

The sampler was not finished schooling my(over-excited)self.  Oh no, it was not.

Woah Swedish lace windows, and maybe never with contrast weft then.

Not for napkins was coming through very clearly by this time.  This is the section where I wove turning the weft and warp floats regularly in their A-B blocks as writ.

You may notice that I had a warp-wise (threading) mistake.  The napkins were to be in finer unmercerized cotton (16/2).  I am considering keeping blue weft on white warp but changing to an 8-shaft crackle structure.  Exploring crackle is a definite interest.

For now the loom is closed as I dig-out from storms and continue the Jane Stafford on-line lessons when possible.

Four ounces of Norwegian wool top in singles form!

These lessons & outings around town allowed me to finish spinning this other 4 oz of Norwegian top dyed by Mandie of Sheepy Time Knits.  The 5 singles balls will probably be chain-plied like the 1st set was.

We are also up a kid-sized Honey Cowl/ down a braid of Rambouillet wool from the 2018 Woodstock Fibre Festival.  Ty announced that it would go with him to school this morning, “… Because you worked so long on it!”

 

 

Spins into November – a tale of 2 wheelspun Shetland yarns

In my last post I wrote about spinning a 2nd Shetland wool top from another dyer.  The spinning tools were the same & the process varied only very little.  As I saw during spinning, yes, the yarns proved to be so, so different.

Now that they are finished, I wanted to come back & compare them.

Tale of 2 Shetland wool spins

Furiosa from Sheepy Time Knits’ Female Heroes Club is on the left.  Its 2 skeins weigh 115 g, and are around 187 yards (748 yards per pound).  The colourway shifted gently, and as a conventional 3-ply lilacs and reds shoot through the darker tones.  There is depth to the 3-ply and the colours never muddied.  I suspect that Mandie kept her painting to the length of the Shetland staples but won’t be asking her to spill her trade secrets!

There was some but not very much kemp in this braid.  How long to wind-off the wheel? 8 days.

Autumn Wedding colourway (Sheepspot), foreground

The Autumn Wedding from Sheepspot at Woodstock was lighter at 104 g.  The handspun yarn measures around 179 yards (1,925 yards per pound).

These were both quick spins, and again I didn’t analyse this fibre’s painting sequence.  This braid had 4 colours in a non-repeating pattern with different lengths between the 4 colours.  In other words, purple was shorter than pink, and there were strong ochre & orange runs as well.  The 3-ply from this braid is also complex but with strong, warm colours.  I will use this handspun in a separate project and not paired with Furiosa.

There was a fair bit of kemp, and the yarn is 5 g lighter than the braid was after the picking out.  How long to wind-off the wheel?  4 days.

The minor difference

To recap the method, both braids were spun on Wee Peggy, plied on Martha (Watson) spinning wheels with the same set-ups.  I divided each in thirds by measuring length, and fished out kemp before spinning.  It was a worsted-style spin across the full width of top in the same order of thirds, 1-2-3 order.

It diverged only in Autumn Wedding when the last ¹⁄3 proved heavier by approx. 11 g.  How I handled that was to stop, weigh, and add the last 5 g of hot pink to the 1st bobbin.  The up-shot is that last-dyed from section no. 3 walked up to section no. 1.  It’s a subtle shift but gets noted as enhancing what we spinners call a barber-pole effect.  It was still uneven but that’s the 2nd skein, 30 yards.

This is just one approach for colour in spinning:  keeping an open mind for what the dyer has created.  Next to each other but not a pair, the new handspun Shetland yarns are:

1. a subtle, cool, heathery  version with a heavy worsted-weight grist; and
2.  a bold, warm, multicoloured version with a light sport-weight grist.

A side-note – do not pass over a mill-prepped dyed Shetland if there’s some kemp.  You can easily pick it out, still have a quick spin, and avoid (gah) scratchy (sometimes called rustic) handspun skeins… just ditch that kemp!

Testing handspun yarn choices, Drachenfels Shawl

There are times when combining handspun yarns can seem like a good idea only for it to be you know, not.  My winter 2017 Drachenfels shawl has the (front-to-back) Targhee, Blue Faced Leicester & I substituted a Columbia for that beaded mohair/wool skein.  By fall 2017 it worked so well with Romney for my Starry Stripes Handspun Vest.

Made a great handspun vest

The details are not important.  This time, I already know that these Shetland yarns may never pair well for me.  That’s okay!  I am already scheming for the new skeins to be Pierogi Slipper Socks by Sarah Jordan and/or a tea cosy.  Both feet & steeped tea cry out for these warm, cheerful colours!

For now the 2 wheels are staying empty for a bit.  Not only am I still knitting the 2 handspun projects but there’s a nicely developed warp plan for Swedish lace 2-tone napkins to grace our home.

 

 

Woodstock Fleece Festival – silver anniversary

We joined hands and spent a mid-October Saturday together at the 10th annual Woodstock Fleece Festival.  These right steps answered T’s big question:

Why do you go to a spinning festival anyway?

Reason Number 1, there are fibre animals, dear

Llama love – that’s T’s hand!

The 4-H Llama Club brought super tolerant llamas.  This sweetheart was almost eye-level with 6 year-old T!

Another llama friend for T (while I shopped!)

There was enough time & space in this Festival Barn space in particular for the little ones to enjoy their experience.  The volunteers did a fabulous job!

Angora rabbit care & plucking

After a bite to eat we found the angora rabbit demonstration starting next door in the Marketplace Barn.  I was happy to point out kids in handknit (are they handspun too, I don’t know!) hats, rush a goodbye and head for the vendors’ stalls.

T learned a lot, snuck a pet mid-demonstration (you did?!? yes), and is not very sure about plucking fur from angora rabbits being exactly kind to them.  I demurred not being an expert.

Reason Number 2, buy all the things!

This reason covered seeing friends – vendors & attendees alike.  My purchases year-over-year are down but still not what you would call paltry.

L-R: T’s pick; and my pick

While I was in the Gemini Fibres line with a copy of Marianne Kinzel’s First Book of Modern Lace Knitting, T ran up beaming with his find & pleases.  To go with a WIP handspun monster he asks for the Michele Wilcox owl & chicken first from her Amigurumi Animal Friends.  Alrighty!

Spinning festival fibre with Wee Peggy

Visiting Sasha’s booth for Sheepspot was a special treat.  So impressive was it all that T asked if she owned & operated the Auditorium!  We had nice chats through the day, and I brought home this Shetland top (104 g, ‘Autumn Wedding’ colourway) with other fibre & yarn.  They are the only local sellers of Greensleeves spindles if you are looking for good ones.

This braid was handled exactly as I did the Furiosa Shetland top, i.e. divided by length into thirds, and spun end-to-end.  My guess is that they will show how different the same spinning can look where the only variable is the dyer’s colourways.  Tools, breed, and ply structure will be all the same.  It will be interesting to compare them!

Third & last bobbin of the Shetland spin

The wheel is Wee Peggy, and I didn’t change her set-up, scotch tension, 5:1.  It is a 1982 (i.e. late version) Rappard kit wheel that my friend Margaret bought, and sold to me for a first wheel.  Mary Knox has given a timeline comparison of the Peggy wheel designs here.

Since this wheel has been home, I have spun with the Willow Tree figure on the back maiden.  She holds a conch shell to her ear, and if she’s here for luck it’s been working!

As for other purchases most were re-stocking, and I also got dyestuff from John at the Fibre Garden.  Hopefully it all spills into TKK as we go through to the next Festival.

An interesting new-to-me vendor was Karberry Farm from Mountain, On.  Their Shetland was tempting but I chose 2 colours of Jacob roving (raised by a neighbouring shepherd).  Jacob is listed as critical in the Breed Conservation List 2015 of Heritage Livestock Canada.  It was a joy to see a 1-30 animal category rare breed at Woodstock!  I was in danger of grabbing the bag of raw fleece but am glad that I resisted.  Cleaning fleece as I do in the kitchen is more difficult to arrange, and I don’t like keeping wool raw if I can help it.

On Melvin

A quick update is that Melvin has been stable through the summer & fall on his new regimen for feline diabetes.

Our Mel at rest

Here he is to my right as I typed this morning (the Erica loom is beside him in the picture).  Apart from being mighty vocal on the dot of his feeding times, our Melly cat is doing pretty well, and regaining weight that he lost rapidly in the spring.  We will be doing a new blood curve shortly to find out more.

Melvin is still our only pet, and I have been feeling a tug towards adding another to the home.  It’s open-ended but we all agree.