Yesterday brought our 3rd winter storm in as many weeks. It’s been a mess of snow days in already shorter school weeks that has knocked my craft life for six.
For several reasons Ty & I have needed time-off for more unstructured time together, however. This boon has kept the cabin fever feeling from setting-in but I hope there are no other Colorado lows on the way!
Prettier than the car
The impact of 24-hour long winter storms hitting mid-week each week aside we are safe & warm through it all, so far.
Ice upon ice this morning
All-over lace shawl update
The Lacymmetry shawl only saw the inside of a project bag between early November and 3 Saturdays ago.
A growing Lacymmetry handspun shawl
The shawl transitions once 2/3 knitted to a ‘diamond’ lace motif that shows strongly with its double yarn-overs. I paused at the transition point, and am now 7 repeats into this second, final section.
Starting at the 2nd of these repeats, I decided to add gold duracoated 8/2 Miyuki beads on a single return row in the ‘diamond’ lace motifs.
Forming diamond lace with beads hidden
The designer is Naomi Parkhurst of String Geekery, and I love how she advances the diamond lace 3 times evenly in each ‘diamond’ lace repeat. The beads are highlighting this diagonal advance sequence. It’s fun to knit!
How I place these beads is with a 0.6 mm metal crochet hook. My handspun BFL/silk yarn is gently thin to thick, and it can be slower to fit the beads. They are getting on there with persistence so far… fingers crossed?
Working with this madder orange dyed yarn is also a push back to the dyepots… hopefully soon!
Another kind of lace update – weaving Swedish Lace sampler
Shortly after my last TKK post, I did wet finish the table loom Swedish lace sampler. I am not quite done gasping but can share the results.
Test of contrast weft in Swedish lace (weft floats)
This 1st section of the sampler is better than I expected while weaving. That said, it is really much more appealing with white on the white warp. They (every book & my workshop teacher) told me so!
Okay, traditional, I see why now
The sampler was not finished schooling my(over-excited)self. Oh no, it was not.
Woah Swedish lace windows, and maybe never with contrast weft then.
Not for napkins was coming through very clearly by this time. This is the section where I wove turning the weft and warp floats regularly in their A-B blocks as writ.
You may notice that I had a warp-wise (threading) mistake. The napkins were to be in finer unmercerized cotton (16/2). I am considering keeping blue weft on white warp but changing to an 8-shaft crackle structure. Exploring crackle is a definite interest.
For now the loom is closed as I dig-out from storms and continue the Jane Stafford on-line lessons when possible.
Four ounces of Norwegian wool top in singles form!
These lessons & outings around town allowed me to finish spinning this other 4 oz of Norwegian top dyed by Mandie of Sheepy Time Knits. The 5 singles balls will probably be chain-plied like the 1st set was.
We are also up a kid-sized Honey Cowl/ down a braid of Rambouillet wool from the 2018 Woodstock Fibre Festival. Ty announced that it would go with him to school this morning, “… Because you worked so long on it!”
In my last post I wrote about spinning a 2nd Shetland wool top from another dyer. The spinning tools were the same & the process varied only very little. As I saw during spinning, yes, the yarns proved to be so, so different.
Now that they are finished, I wanted to come back & compare them.
Tale of 2 Shetland wool spins
Furiosa from Sheepy Time Knits’ Female Heroes Club is on the left. Its 2 skeins weigh 115 g, and are around 187 yards (748 yards per pound). The colourway shifted gently, and as a conventional 3-ply lilacs and reds shoot through the darker tones. There is depth to the 3-ply and the colours never muddied. I suspect that Mandie kept her painting to the length of the Shetland staples but won’t be asking her to spill her trade secrets!
There was some but not very much kemp in this braid. How long to wind-off the wheel? 8 days.
Autumn Wedding colourway (Sheepspot), foreground
The Autumn Wedding from Sheepspot at Woodstock was lighter at 104 g. The handspun yarn measures around 179 yards (1,925 yards per pound).
These were both quick spins, and again I didn’t analyse this fibre’s painting sequence. This braid had 4 colours in a non-repeating pattern with different lengths between the 4 colours. In other words, purple was shorter than pink, and there were strong ochre & orange runs as well. The 3-ply from this braid is also complex but with strong, warm colours. I will use this handspun in a separate project and not paired with Furiosa.
There was a fair bit of kemp, and the yarn is 5 g lighter than the braid was after the picking out. How long to wind-off the wheel? 4 days.
The minor difference
To recap the method, both braids were spun on Wee Peggy, plied on Martha (Watson) spinning wheels with the same set-ups. I divided each in thirds by measuring length, and fished out kemp before spinning. It was a worsted-style spin across the full width of top in the same order of thirds, 1-2-3 order.
It diverged only in Autumn Wedding when the last ¹⁄3 proved heavier by approx. 11 g. How I handled that was to stop, weigh, and add the last 5 g of hot pink to the 1st bobbin. The up-shot is that last-dyed from section no. 3 walked up to section no. 1. It’s a subtle shift but gets noted as enhancing what we spinners call a barber-pole effect. It was still uneven but that’s the 2nd skein, 30 yards.
This is just one approach for colour in spinning: keeping an open mind for what the dyer has created. Next to each other but not a pair, the new handspun Shetland yarns are:
a subtle, cool, heathery version with a heavy worsted-weight grist; and
a bold, warm, multicoloured version with a light sport-weight grist.
A side-note – do not pass over a mill-prepped dyed Shetland if there’s some kemp. You can easily pick it out, still have a quick spin, and avoid (gah) scratchy (sometimes called rustic) handspun skeins… just ditch that kemp!
Testing handspun yarn choices, Drachenfels Shawl
There are times when combining handspun yarns can seem like a good idea only for it to be you know, not. My winter 2017 Drachenfels shawl has the (front-to-back) Targhee, Blue Faced Leicester & I substituted a Columbia for that beaded mohair/wool skein. By fall 2017 it worked so well with Romney for my Starry Stripes Handspun Vest.
Made a great handspun vest
The details are not important. This time, I already know that these Shetland yarns may never pair well for me. That’s okay! I am already scheming for the new skeins to be Pierogi Slipper Socks by Sarah Jordan and/or a tea cosy. Both feet & steeped tea cry out for these warm, cheerful colours!
For now the 2 wheels are staying empty for a bit. Not only am I still knitting the 2 handspun projects but there’s a nicely developed warp plan for Swedish lace 2-tone napkins to grace our home.
We joined hands and spent a mid-October Saturday together at the 10th annual Woodstock Fleece Festival. These right steps answered T’s big question:
Why do you go to a spinning festival anyway?
Reason Number 1, there are fibre animals, dear
Llama love – that’s T’s hand!
The 4-H Llama Club brought super tolerant llamas. This sweetheart was almost eye-level with 6 year-old T!
Another llama friend for T (while I shopped!)
There was enough time & space in this Festival Barn space in particular for the little ones to enjoy their experience. The volunteers did a fabulous job!
Angora rabbit care & plucking
After a bite to eat we found the angora rabbit demonstration starting next door in the Marketplace Barn. I was happy to point out kids in handknit (are they handspun too, I don’t know!) hats, rush a goodbye and head for the vendors’ stalls.
T learned a lot, snuck a pet mid-demonstration (you did?!? yes), and is not very sure about plucking fur from angora rabbits being exactly kind to them. I demurred not being an expert.
Reason Number 2, buy all the things!
This reason covered seeing friends – vendors & attendees alike. My purchases year-over-year are down but still not what you would call paltry.
L-R: T’s pick; and my pick
While I was in the Gemini Fibres line with a copy of Marianne Kinzel’s First Book of Modern Lace Knitting, T ran up beaming with his find & pleases. To go with a WIP handspun monster he asks for the Michele Wilcox owl & chicken first from her Amigurumi Animal Friends. Alrighty!
Spinning festival fibre with Wee Peggy
Visiting Sasha’s booth for Sheepspot was a special treat. So impressive was it all that T asked if she owned & operated the Auditorium! We had nice chats through the day, and I brought home this Shetland top (104 g, ‘Autumn Wedding’ colourway) with other fibre & yarn. They are the only local sellers of Greensleeves spindles if you are looking for good ones.
This braid was handled exactly as I did the Furiosa Shetland top, i.e. divided by length into thirds, and spun end-to-end. My guess is that they will show how different the same spinning can look where the only variable is the dyer’s colourways. Tools, breed, and ply structure will be all the same. It will be interesting to compare them!
Third & last bobbin of the Shetland spin
The wheel is Wee Peggy, and I didn’t change her set-up, scotch tension, 5:1. It is a 1982 (i.e. late version) Rappard kit wheel that my friend Margaret bought, and sold to me for a first wheel. Mary Knox has given a timeline comparison of the Peggy wheel designs here.
Since this wheel has been home, I have spun with the Willow Tree figure on the back maiden. She holds a conch shell to her ear, and if she’s here for luck it’s been working!
As for other purchases most were re-stocking, and I also got dyestuff from John at the Fibre Garden. Hopefully it all spills into TKK as we go through to the next Festival.
An interesting new-to-me vendor was Karberry Farm from Mountain, On. Their Shetland was tempting but I chose 2 colours of Jacob roving (raised by a neighbouring shepherd). Jacob is listed as critical in the Breed Conservation List 2015 of Heritage Livestock Canada. It was a joy to see a 1-30 animal category rare breed at Woodstock! I was in danger of grabbing the bag of raw fleece but am glad that I resisted. Cleaning fleece as I do in the kitchen is more difficult to arrange, and I don’t like keeping wool raw if I can help it.
On Melvin
A quick update is that Melvin has been stable through the summer & fall on his new regimen for feline diabetes.
Our Mel at rest
Here he is to my right as I typed this morning (the Erica loom is beside him in the picture). Apart from being mighty vocal on the dot of his feeding times, our Melly cat is doing pretty well, and regaining weight that he lost rapidly in the spring. We will be doing a new blood curve shortly to find out more.
Melvin is still our only pet, and I have been feeling a tug towards adding another to the home. It’s open-ended but we all agree.
We’re fresh-off our Canadian Thanksgiving, which started a little early with my impulse to bake a cranberry/ blueberry crisp and finished with our first turkey dinner at home.
T-kiddo made a good choice on the supermarket cut tulips… they are still fresh & brightening the table runner that I wove in spring 2014, sari silk on 5/2 mercerized cotton warp.
The weft is Himalaya Tibet recycled silk, a long-ago gift that could keep giving – the 14″ x 42″ runner used only approx 80 yards.
As weavers can tell from the I Wove This pic a lot of learning was going on at the time. Up to & including confusion when tying up my treadles for plain weave that worked in my favour.
Our front hall has its 2 handwoven table runners now, and this is the cheery one of the pair.
Not a long-lasting crisp
Thanksgiving being just this past Monday is hard to believe. We ran right into an energy audit + furnace replacement job, and handspun yarn has been heavily on my mind!
Handspun happenings
We are at a 4th handspun knit casted-on since mid-September. That is more than usual & 3 are ready for sharing on TKK. The quartet has 2 things in common – smaller-scale projects; and all existing stash. They are a slice of how leaps in spinning can & do become finished objects.
At the centre is this truth – my handspun was not always flowing into queued projects. This is an almost constant concern in spinning spaces: how do you use your handspun yarns? In these 3 projects today the work is a lattice & not linear.
What is not shown here is that I also will design from scratch for my yarns & work from sampling in a straighter course both for knits and handwoven items. This slice is to show that creativity isn’t always caught in a web of control. Patience, skill and circling back all can be fruitful. In order of last to first the 3 new knits are:
Overall lace shawl
This Lacymmetry by Naomi Parkhurst is 1-day into its progress. It is making me very happy.
This BFL/silk yarn is another 2014 story. In mid-July that year, I used my 127 g of fibre to spin with the newly acquired William MacDonald antique spinning wheel.
Sugar maple cues the shawl this morning
It is 646 yards that I used in a first madder dye experiment later that year. The burnt orange colour was an improvement but what to use it for?
Until Naomi’s release this week I was fairly stumped. The suggested yarn is one I know well, Valley Yarns 2/14 alpaca/silk. My BFL/silk is a pretty good fit, and with that plugged I had to start right away!
Takeaway – you will see curated pattern lists for spinners but keeping eyes forward on new releases lets you find your own gems. This designer also spins, and that right fit for handspun is an excitement she knows well.
Hold the front page – spindle-spun socks!
Before the shawl answer fell into my lap, I started a new pair of socks this month. It is with my most viewed spinning project the Pyrenees Delight Cheviot yarn. The 1,529 views; 26 favorites came after being featured in Ravelry after the 2017 Tour de Fleece.
The 650 yards of 2-ply is not that old at a January 2018 finish. It was a puzzle though… would I split to get the socks I had dreamed about while spinning or should I use all in a weaving project? Here’s my current answer & sock knitting guide.
When I dive into the handspun stash it is a mess of pulling yarns & looking back at the records. This month I was weighing sock, colourwork mittens or sweater. Measurements help but as a starting point. This is part of the note I made when looking at possible mittens:
Thicker than idea in Drachunas (The Art of Lithuanian Knitting, 2015 with June Hall)
Will they look good?
When swatching the Cheviot, I knitted lots and measured twice. The 2.25 mm needle gave a good fabric, 9 stitches per 1″ in stockinette around. The guide is Lara Neel’s excellent “Sock Architecture, 2014. I chose her Strie for its garter rib pattern with my lighter 2-ply.
It is going well up to the heel now. This z-plied yarn is untwisting a bit as I work & I may cross the foot stitches for firmness.
Takeaway – As one who has more socks than she needs, I will just quote Jan Viren (Handspun Treasures from Rare Wools, ed Deborah Robson, 2000, p. 77):
If you want boring, predictable socks, there are plenty available through standard outlets. These [California Variegated Mutant] have character…
The Handspun Treasures book has a highly entertaining & inspiring juried group of handspun projects. I snagged my copy on a trip to the Strand bookstore in NYC.
Headwarming in fall
This Calorimetry headband in Targhee was a 2-day knit of joy.
In this second selfie view you can see the hint of its Corgi Hill Farm gradient, Inverness, properly.
Using a single clay button, I have a 21″ long Calorimetry. It is my 2nd version in handspun. Working 1×1 ribbing helped cinching in areas with thinner yarn.
2015 Wee Peggy spin-along
This was from a 2015 fall spinalong in the Wee Peggy spinners group on Ravelry that went fairly quickly. The blues went to N as a pair of plain mittens this winter.
Made, used but not blogged – N’s mittens
The pattern guide was Knit Mitts by Kate Atherley, 2017 & used approx 170 yards of the blue.
This is what I kept around since February waiting for inspiration. It wanted to be a headband! The orange is still on the couch waiting for the hat-trick.
Takeaway – gradients are not set in stone. The 390 yards has made 2 people happy so far, and I am not sore about giving half to N for mittens.
Last plying of a long merino/silk spin
As I am this close to finishing my 4 ounces of merino/silk with this medium Andean pushka, I have thought of a lace shawl. Which lace shawl will depend on my bandwidth & how much yarn we have here.
There surely are spinners who in Beverley Horne’s words never ever sit with fibre to spin (Fleece in Your Hands – spinning with a purpose: notes and projects, 1979 U.S revised edition, p v):
… without having planned beforehand what you are going to do with the yarn.
Knowing how to do forward planning is important, I agree. If like me ‘what ifs’, new tools, techniques beckon & good yarn results then you can still move forward. Sometimes frustration kicks in, of course. More often you go in a latticework of time spent on the project instead of the good old bossy line.
A side benefit has been letting new skills like weaving catch-up to those good yarns that I still love to spin.
Just think of it as a long run up to the crease (cricket term & to mix metaphors oops)!
The August challenge theme in Spindlers group on Ravelry is “fantasy,” and I took the plunge!
Not going with Outlander, read ahead!
This 5 oz braid of combed top from Corgi Hill Farm is in my favourite blend, alpaca/merino/silk. The spindle choice is my 22 g Spanish Peacock spindle, Flame Box Elder.
The group challenge is to spin at least 1 or more oz (or ½ oz lace) during the month on spindles (of course!), posting a skein in the thread by EST end of August.
Inspiration hits!
The Lord of the Eagles, Tolkien
The fibre brought to mind a single thought – Gandalf’s Eagle! I went for our illustrated (Alan Lee) copy of “The Hobbit” by J.R.R. Tolkien, found page 108, and headed for the passage that took my breath away so many years ago.
Eagles are not kindly birds. Some are cowardly and cruel. But the ancient race of the northern mountains were the greatest of all birds; they were proud and strong and noble-hearted…
Letting the curious Lord of the Eagles of the Misty Mountains take me out of my tree perch sounds like a good way to crack through that oh-so-pragmatic decision to miss the Tour de Fleece this year.
So far, I am the only fantasy Eagle Lord entrant but the past 2 days have brought some wonderful interpretations into this month’s theme. Join us or just lurk for the fun, will you?
Rocking late blooming Lily!
This past camp week for T was also a treat for my fibre projects. Wrinkles aside (I answered their survey this morning…), I used the daytime hours to have the coveted dye day, spin for the fun of it, share online, and best of all open the floor loom!
Yesterday brought a new tool into the kit – first pair of eye-glasses. Slight correction later, and I am far more comfortable on-screen. The 5/2 cotton threads on the loom are much easier to work with now, phew!
Another week of camp will start after our civic holiday weekend. I am looking forward to sharing the pictures/project stories with you!
This week, I answered a question about spindles – what if any pause is there between spinning singles (first elements) & plying. It’s a great question!
Mostly function; part decor
The original Q&A is in the Ravelry group, Spindlers in the decade-old Stupid Questions thread (post no. 8,515 starts) if you want to check it out.
You can imagine my jar in its usual home of our fireplace mantle. There are 5 singles balls of Targhee, the bright blue in this jar that are an example of a 2018 work-flow with a single spindle.
Blue Mahoe blue Targhee project arc
My last TKK post had this project’s 6th cop shown on a park bench. Let’s go back to the beginning, a very happy mail day in January.
Two happy deliveries
A wonderful ending to a long & at times frustrating search was being quietly offered this good-as-new Bosworth skinny Midi 22 g spindle in Blue Mahoe. Thank you, kind Raveler!
When I decided to add a second wood-whorl Bosworth it had to be one of their Blue Mahoes. This tree, Hibiscus elatus is indigenous to Jamaica, is our national tree, and we planted one at our childhood home.
Impulsive thy name is new-to-me spindle
One short skip later, I was spinning from the 8 oz of Targhee dyed in “The Water” by Mandie at Sheepy Time Knits for the Hobbit Club. The notes have my timeline, starting January 9, 2018 wind-off dates & weights are:
February 9 – 24 g;
February 19 – 26 g (prize for most spinning!);
March 28 – 26 g (aquas showing);
April 30 – 25 g
June 13 – 27 g
No top is being weighed and parceled out. I am just spinning by feel – when my hands feel a difference in the spin, I wind-off. The how is by balancing the spindle in a shoe-box, pushing it away, and winding myself a ball.
Spinning the 5th cop this May; bag by Knit Spin Quilt
Using a single spindle for a longer-term project takes an important bundle of skills. It means managing those singles tangle-free over time. Developing different paths from a full spindle to re-filling the spindle to completion is a personal journey. It boils down to achieving consistency.
Here, I kept my options fairly open with separate singles balls. After lunging to start, I pretty much had to. Besides, winter is not my best planning time.
The current idea is to move towards a 3-ply yarn when I am finished with singles. The yarn is under tension, all in one spot, dust/pest-free, and encourages me to keep going. The outside of each ball is the first-spun of that batch. You can even change that if you please.
Also in progress
One point in my answer this week was that it’s worth noting our whole process. All of the singles in my jar have been “resting” – some all year. When I get to the last of this fibre it will get some “rest” too, typically overnight. When I get to the plying steps – there will be more than 1 skein for sure – is anybody’s guess. I can pace that too as the boss of my own yarn!
It is fabulous to sit down placing words in TKK’s editor this morning. Over the long stretch we did live with those new challenges I mentioned (words “cancer patient & break-up”) but were knocked back by a sudden loss mid-November also in our immediate family. That side had just buried another older family member the month before.
This is one of the new views we enjoyed from a balcony overlooking St. Andrew & Kingston but after the most difficult day. The grief meshing with a long-delayed trip was tough, and we all have needed the comfort of time to reconcile these very different feelings.
At the North Coast, briefly
One night on the North Coast was with rough seas. The reason for leaving Kingston at this point was also a painful but necessary chore that was handled well in the end.
It absolutely did not help that N was sick or that almost everyone was overwhelmed. In addition to explaining this TKK break the pictures are helping me to re-think my assumption that at least 1 image can go in on T’s big school project. Pausing to reflect is a good thing in such a busy week.
African bead whorl spindle in the island
The clay bead whorl spindle from West Africa came with me in the carry-on bag. Cotton is basically what I love to spin in Jamaica but this combination was the best plan yet. As of today, I have a 12 g plying ball from this project + a fairly full new cop. The dish stayed behind but is by a Jamaican artist, and was surprisingly awesome as a support bowl. I have asked for one!
When I started learning to spin cotton, I had no clue that it is SO very good for the exhausting, emotional seasons of life. That should be said loudly enough for those of us in the back to catch-on. It’s SO GOOD, everyone.
Looking forward
Irieknit pulls her socks up
We have now finalised the formal family steps, thrown our first birthday party (T is 6! It went well!), and are planning a new event with family visiting us for June aka the best month.
Of course, the grief is still with us but its edge has lifted a little. The prognosis for our cancer patient is thankfully encouraging. The other difficulty of the break-up is still unfolding but as well as can be expected. I am making my way through the to-do list logically, and that’s also a good thing.
New year; new small loom!
This January brought the wonderful gift of a new Erica table loom kit from Louet NA. Shafts 3 & 4 are on order. The threads for this plain weave are handspun Gulf Coast Native dyed in the wool by Sheepspot. The combing portion appeared on TKK here and gave a lovely 164 yards of 3-ply. The warp is 9″ wide in the reed, 2.5 yards long.
Let’s skip my back beam mistake because it worked out, and Warped Weavers’ members were ready with good explanations for me. The weft was the carded waste (yes, I have a Pat Green blender/carder!) spun on spindles for the Tour de Fleece last July.
Tabachek Holly, and Wildcraft spindles in July 2017
The combed waste is blended with white Polwarth X Port locks & Tussah Silk for 151 yards of 2-ply. It was a great whimsical spin, and I wanted them both together in a project.
Weaving with T on the Erica was the most special part of the weekend project. This was in January, and tiring but totally joyous.
The Devil has been in the last steps for projects, weaving & otherwise. This cloth & 2 scarves that I wove a week ago on the Mighty Wolf are in queue for pressing. I wet-finished all 3, and have other projects working on.
Some WIPs finish quickly, especially the utility knits like mittens, spinning. The pulling-up of new socks is to tighten that drift, and to write more often.
Night is the spinning time – Romeldale/CVM from Spirit Trail Fiber Works
Shorter bursts are an option I don’t quite stick… This was after all going to be a short post & look at the time! We have renewed TKK’s no-ads purchase, and I am considering the angles.
It is true that the fibre work has trimmed itself down but the same categories are full of promise. Dye gift from N & don’t forget the fleece to be cleaned!
Right up there with washing my October fleece!
The larger projects are still WIPs and not sleeping even though I fell behind on sharing as a log of that work.
For today we have a post, and the socks on my feet/in the post are the Kissing Cousins pattern by one of my favourite designers, Sarah Jordan. They are ingeniously conjoined!
